During this pleasant acquaintance, Mr. Overtop had made the extraordinary discovery that Mrs. Slapman was married, and that the thin little man whom he saw dodging up the stairs on New Year's day was her husband.
It would be difficult to explain, on behalf of Mr. Overtop, a phenomenon which Mr. Overtop was never able to explain to the satisfaction of the gossip-loving public, or of his best friends. We therefore content ourselves with merely stating the fact, that Mr. Overtop's admiration for Mrs. Slapman was purely intellectual; that he was fascinated by her vivacious intellect, and not by her substantial person; by the charm of her manners, and not of her face. He looked upon Mrs. Slapman as a masculine mind and soul, of uncommon depth, made powerfully magnetic by its enshrinement in a feminine form. Overtop once told Matthew Maltboy, that he knew, in his own experience, the meaning of Platonic love. But Matthew, who was a sad materialist even in his sentimental moods, laughed at him, and winked. Overtop positively felt hurt at this unkind reception of his confidences, and never again alluded to the state of his feelings toward Mrs. Slapman, until subsequent occurrences made it necessary in self-defence.
With Mr. Slapman he was not personally acquainted; but he had ascertained privately, from a musical frequenter of the house, who invariably brought his flute with him, and who was understood to be the oldest friend of the family, that Mr. Slapman owned a large property in wild land in Pennsylvania, not a hundred miles from New York; that he was improving it, and selling it out in building lots, and had already cleared a handsome fortune; that he was a strict business man, and looked after his affairs in person, passing between New York and Slapmansville (the name of the new settlement) twice a week, and spending the larger part of his time at the latter place. Also that, next to avarice, which was his crowning trait, his chief fault was jealousy. It galled him to think that his wife had obtained a settlement in bank from him before marriage, which enabled her to indulge her tastes for society; and it enraged him still more to observe how much she was loved and admired by others, when he had purchased her exclusively for his private love and admiration. He it was who was to be sometimes seen stalking through the parlors with a pale face, or running up and down the front staircase in a state of great nervous agitation. None of Mrs. Slapman's visitors had the pleasure of his personal acquaintance; and it was considered a point of good breeding not to allude to him in her presence.
For this misguided man Fayette Overtop felt a real pity. He yearned to expostulate with him gently, as a friend. Taking Mr. Slapman's hand in his own, he would have said:
"Your wife is a precious gift to the world. Seek not to check the outflow of her ardent nature. Thank Heaven that you are the custodian of such a treasure, not to be selfishly monopolized by yourself, but held in trust for the benefit of society."
Overtop's meditations, on this particular occasion, pertained to the style of the costume which would most become him as the lover of Mrs. Slapman, in an original play to be enacted at her house toward the close of the week. The question was chiefly of knee breeches. Overtop was mentally debating whether he ought not, in justice to his thin legs, to substitute an ampler style of integuments.
Matthew Maltboy had also been invited to this soirée dramatique (as Mrs. Slapman's large pasteboards expressed it). A fat man was a necessity of the play. Mrs. Slapman was not cordial to Matthew, regarding him as an excessively commonplace person, and had invited him to her social gatherings out of courtesy to Overtop; but her artist eye saw in him a fitness for the fat man. Matthew was delighted with the implied compliment to those talents for the stage which every man supposes himself to possess in some degree, and cheerfully undertook the part.
The proprieties of costume did not in the least perplex Mr. Maltboy, as he lay on the sofa digesting his dinner, and puffing out smoke rings by the dozen. His thoughts were mildly fixed on that delightful Miss Whedell. Five times he had been graciously permitted to visit the lady at her house, and to discover a score of new charms at each interview. A large experience in love making assured him that the object of his idolatry was not wholly indifferent to him. The paternal Whedell had hobbies. Matthew had studied them, like a skilful strategist, catered to them, and felt quite sure that he had that revered individual on his side. But, in the midst of these pleasant imaginings, there rose the dark and baleful image of Chiffield!
Marcus Wilkeson was also pondering--pleasantly, if one might judge from the contented smile upon his lips. The subject of his thoughts was one which, for reasons that seemed good to him, he still kept secret from his fellow bachelors. He had freely told them of his singular adventure at the house of the old gentleman opposite; but not a word of the inventor and his daughter, and of the private school at Miss Pillbody's. Not even the minute and sometimes tedious accounts which Overtop and Maltboy gave of their private thoughts and experiences, could induce Marcus to reciprocate their confidence. For the first time in his life he wore a mask before his companions, and prevaricated, and became, on a small scale, a humbug.
The sharp ringing of the doorbell broke in upon the quiet reflections of the three bachelors. Mash, the cook, who was at that moment reading the fifteenth chapter of "The Buttery and the Boudoir: A Tale of Real Life," in her favorite weekly, threw down the paper in a passion, bounded up stairs, and admitted John Wesley Tiffles, or Wesley Tiffles, as he always subscribed himself on promissory notes and other worthless paper. Mr. Tiffles chucked Mash familiarly under the chin (resented with a scornful look by Mash, who had learned from "The Buttery and the Boudoir" to set a proper value on herself), and then walked straight to the parlor, like one who knew he was a welcome guest.