"Hey!" he said to Keys, spotting himself as a Southerner as surely as if he'd had the Stars and Bars tattooed on his forehead. We followed him down a short hall into a room furnished, with a couple of couches, an easy-chair, several small but delightful tables, and a piano. Here was the music. A blond bombshell was drumming box chords on the ivories, and grouped around her on side chairs were four young men, playing with her. It was jazz, if that's what you call the quiet racket that comes out of a wooden recorder, a very large pottery ocharina that hooted like a gallon jug, a steel guitar and a pair of bongo drums played discreetly with the fingertips.

My appearance stopped them right in the middle of a chorus of "Muskrat Ramble." I'd have liked to hear more—it was Dixieland times two—what the Psis call Psixieland. That's jazz played by a gang of telepaths. Each one knows what the others are about to play. The result is extemporaneous counterpoint, but without the clinkers we associate with jazz. Almost too perfect, yet untrammeled.

My eyes ran around the room as the four men who had been playing with the girl got up and prepared to leave. The place was spotless. Oh, the furnishings weren't costly, but they were chosen with that sense of fitness, of refinement of color and decor that is curiously Psi. I suppose that's one of the little things that annoys Normals so much. Stigma powers seem to go beyond telepathy, clairvoyance and telekinesis—they extend in some hard to define way into the aesthetic. A chaste kind of cleanliness is only part of it. Taste, I guess that's the word. Their attire, their homes, everything about Psis, seems tasteful.


In moments only Keys, the blond Southerner and the still blonder bomb on the piano bench were left to face me. Keys poked a finger at the plow-jockey in the T-shirt. "Elmer," he explained.

"Take off yo' hat, Yankee," Elmer grinned. I felt it tipped from my head by his TK.

I glowered at him. "Kid stuff!" I snorted. "So you can lift four ounces from six feet away. But you don't have any idea what incorporeal hereditaments are. Which is better?"

The pink of his face got red. He could have broken me in two.

"Just making a point," I said. "I'm stupid about TK. You're stupid about the law. I figure that makes us even."

He clamped his mouth shut. I turned back to Keys and the girl I was sure was Mary Hall. "What I came here for—"