He will see from the turn of the hillside the Blair of Drummond waving with corn and shadowed with rich woods, where eighty years ago there was a black peatmoss; and far off, on the horizon, Damyat and the Touch Fells; and at his side the little loch of Ruskie, in which he may see five Highland cattle, three tawny brown and two brindled, standing in the still water—themselves as still, all except their switching tails and winking ears—the perfect images of quiet enjoyment. By this time he will have come in sight of the Lake of Monteith, set in its woods, with its magical shadows and soft gleams. There is a loveliness, a gentleness and peace about it more like "lone St. Mary's Lake," or Derwent Water, than of any of its sister lochs. It is lovely rather than beautiful, and is a sort of gentle prelude, in the minor key, to the coming glories and intenser charms of Loch Ard and the true Highlands beyond.
You are now at the Port, and have passed the secluded and cheerful manse, and the parish kirk with its graves, close to the lake, and the proud aisle of the Grahams of Gartmore washed by its waves. Across the road is the modest little inn, a Fisher's Tryst. On the unruffled water lie several islets, plump with rich foliage, brooding like great birds of calm. You somehow think of them as on, not in the lake, or like clouds lying in a nether sky—"like ships waiting for the wind." You get a coble, and yould old Celt, its master, and are rowed across to Inch-mahome, the Isle of Rest. Here you find on landing huge Spanish chestnuts, one lying dead, others standing stark and peeled, like gigantic antlers, and others flourishing in their viridis senectus, and in a thicket of wood you see the remains of a monastery of great beauty, the design and workmanship exquisite. You wander through the ruins, overgrown with ferns and Spanish filberts, and old fruit-trees, and at the corner of the old monkish garden you come upon one of the strangest and most touching sights you ever saw—an oval space of about eighteen feet by twelve, with the remains of a double row of boxwood all round, the plants of box being about fourteen feet high, and eight or nine inches in diameter, healthy, but plainly of great age.
What is this? it is called in the guide-books Queen Mary's Bower; but besides its being plainly not in the least a bower, what could the little Queen, then five years old, and "fancy free," do with a bower? It is plainly, as was, we believe, first suggested by our keen-sighted and diagnostic Professor of Clinical Surgery, * the Child-Queen's Garden, with her little walk, and its rows of boxwood, left to themselves for three hundred years.
* The same seeing eye and understanding mind, when they were
eighteen years of age discovered and published the Solvent
of Caoutchouc, for which patent was taken out afterwards by
the famous Mackintosh. If the young discoverer had secured
the patent, he might have made a fortune as large as his
present reputation—I don't suppose he much regrets that he
didn't.
[Original]
Yes, without doubt, "here is that first garden of her simpleness." Fancy the little, lovely royal child, with her four Marys, her playfellows, her child maids of honour, with their little hands and feet, and their innocent and happy eyes, pattering about that garden all that time ago, laughing, and running, and gardening as only children do and can. As is well known, Mary was placed by her mother in this Isle of Rest before sailing from the Clyde for France. There is something "that tirls the heartstrings a' to the life" in standing and looking on this unmistakable living relic of that strange and pathetic old time. Were we Mr. Tennyson, we would write an Idyll of that child Queen, in that garden of hers, eating her bread and honey—getting her teaching from the holy men, the monks of old, and running off in wild mirth to her garden and her flowers, all unconscious of the black, lowering thunder-cloud on Ben Lomond's shoulder.
"Oh, blessed vision! happy child!
Thou art so exquisitely wild: