Steell's bust is beautiful, but it is wanting in expression. Slater's, though rude, is better. Angus Fletcher's has much of his air, but is too much like a Grecian god. There is a miniature by Mrs. Robertson of London, belonging to my sister, Mrs. Young, which I always liked, though more like a gay, brilliant French Abbé, than the Seceder minister of Rose Street, as he then was. It gives, however, more of his exquisite brightness and spirit, the dancing light in his dark eyes, and his smile, when pleased and desiring to please, than any other. I have a drawing by Mr. Harvey, done from my father for his picture of the Minister's Visit, which I value very much, as giving the force and depth, the momentum, so to speak, of his serious look. He is sitting in a cottar's house, reading the Bible to an old bed-ridden woman, the farm servants gathered round to get his word.
Mungo Burton painted a good portrait which my brother William has; from his being drawn in a black neckcloth, and standing, he looks as he sometimes did, more like a member of Parliament than a clergyman. The print from this is good and very scarce. Of Photographs, I like D. O. Hill's best, in which he is represented as shaking hands with the (invisible) Free Church—it is full of his earnest, cordial power; that by Tunny, from which the beautiful engraving by Lumb Stocks in this Memoir was taken, is very like what he was about a year and a half before his death. All the other portraits, as far as I can remember, are worthless and worse, missing entirely the true expression. He was very difficult to take, partly because he was so full of what may be called spiritual beauty, evanescent, ever changing, and requiring the highest kind of genius to fix it; and partly from his own fault, for he thought it was necessary to be lively, or rather to try to be so to his volunteering artist, and the consequence was, his giving them, as his habitual expression, one which was rare, and in this particular case more made than born.
The time when I would have liked his look to have been perpetuated, was that of all others the least likely, or indeed possible;—it was, when after administering the Sacrament to his people, and having solemnized every one, and been himself profoundly moved by that Divine, everlasting memorial, he left the elders' seat and returned to the pulpit, and after giving out the psalm, sat down wearied and satisfied, filled with devout gratitude to his Master—his face pale, and his dark eyes looking out upon us all, his whole countenance radiant and subdued. Any likeness of him in this state, more like that of the protomartyr, when his face was as that of an angel, than anything I ever beheld, would have made one feel what it is so impossible otherwise to convey,—the mingled sweetness, dignity, and beauty of his face. When it was winter, and the church darkening, and the lights at the pulpit were lighted so as to fall upon his face and throw the rest of the vast assemblage into deeper shadow, the effect of his countenance was something never to forget.
He was more a man of power than of genius in the ordinary sense. His imagination was not a primary power; it was not originative, though in a quite uncommon degree receptive, having the capacity of realizing the imaginations of others, and through them bodying forth the unseen. When exalted and urged by the understanding, and heated by the affections, it burst out with great force, but always as servant, not master. But if he had no one faculty that might be, to use the loose words of common speech, original, he was so as a whole,—such a man as stood alone. No one ever mistook his look, or would, had they been blind, have mistaken his voice or words, or those of any one else, or any one else's for his.
His mental characteristics, if I may venture on such ground, were clearness and vigour, intensity, fervour, * concentration, penetration, and perseverance,—more of depth than width. ** The moral conditions under which he lived were the love, the pursuit, and the practice of truth in everything; strength and depth, rather than external warmth of affection; fidelity to principles and to friends. He used often to speak of the moral obligation laid upon every man to think truly, as well as to speak and act truly, and said that much intellectual demoralization and ruin resulted from neglecting this. He was absolutely tolerant of all difference of opinion, so that it was sincere; and this was all the more remarkable from his being the opposite of an indifferentist, being very strong in his own convictions, holding them keenly, even passionately, while, from the structure of his mind, he was somehow deficient in comprehending, much less of sympathizing with the opinions of men who greatly differed from him. This made his homage to entire freedom of thought all the more genuine and rare. In the region of theological thought he was scientific, systematic, and authoritative, rather than philosophical and speculative. He held so strongly that the Christian religion was mainly a religion of facts, that he perhaps allowed too little to its also being a philosophy that was ready to meet, out of its own essence and its ever unfolding powers, any new form of unbelief, disbelief, or misbelief, and must front itself to them as they moved up.
* This earnestness of nature pervaded all his exercises. A
man of great capacity and culture, with a head like Benjamin
Franklin's, an avowed unbeliever in Christianity, came every
Sunday afternoon, for many years, to hear him. I remember
his look well, as if interested, but not impressed. He was
often asked by his friends why he went when he didn't
believe one word of what he heard. "Neither I do, but I like
to hear and to see a man earnest once a week, about
anything." It is related of David Hume, that having heard my
great-grandfather preach, he said, "That's the man for me,
he means what he says; he speaks as if Jesus Christ was at
his elbow."
** The following note from the pen to which we owe "St.
Paul's Thorn in the Flesh" is admirable, both for its
reference to my father, and its own beauty and truth.
"One instance of his imperfect discernment of associations of thought that were not of a purely logical character was afforded, we used to think, by the decided and almost contemptuous manner in which he always rejected the theory of what is called the double interpretation of prophecy. This, of course, is not the place to discuss whether he was absolutely right or wrong in his opinion. The subject, however, is one of somewhat curious interest, and it has also a strictly literary as well as a theological aspect, and what we have to say about it shall relate exclusively to the former. When Dr. Brown then said, as he was accustomed in his strong way to do, that 'if prophecy was capable of two senses, it was impossible it could have any sense at all,' it is plain, we think, that he forgot the specific character of prophetic literature, viz., its being in the highest degree poetic. Now everyone knows that poetry of a very elevated cast almost invariably possesses great breadth, variety, we may say multiplicity of meaning. Its very excellence consists in its being capable of two, three, or many meanings and applications. Take, for example, these familiar lines in the 'Midsummer Night's Dream:'—
"Ah me! for aught that ever I could read,
Could ever hear by tale or history,
The course of true love never did run smooth: