Midwinter regarded him critically. "Your modish clothes are in Kit's locker, and will duly be sent after you. Now you are the born charcoal-burner, save that your eyes are too clear and your finger nails unscorched. The disguise has served your purpose to-day, but it is too kenspeckle except in great woodlands. Mother Jonnet will find you a better. For the rest I will guide you, for I have the key."

"Where is this magic country?"

"All around you—behind the brake, across the hedgerow, under the branches. Some can stretch a hand and touch it—to others it is a million miles away."

"As a child I knew it," said Alastair, laughing. "I called it Fairyland."

Midwinter nodded. "Children are free of it, but their elders must earn admission. It is a safe land—at any rate it is secure from common perils."

"But it has its own dangers?"

"It makes a man look into his heart, and he may find that in it which destroys him. Also it is ambition's mortal foe. But if you walk in it you will come to Brightwell without obstruction, for the King's writ does not run in the greenwood."

"Whose is the law, then?" Alastair asked.

For answer Midwinter went to the window and flung it open. "My fiddle cannot speak except with free air about it," he said. "If any drunken rustic is on the heath he will think the pixies are abroad."

He picked up the violin which had been lying on the table behind him, and drew forth a slow broken music, which presently changed into a rhythmical air. At first it was like the twanging of fine wires in a wind, mingled with an echo of organ music heard over a valley full of tree-tops. It was tame and homely, yet with a childish inconsequence in it. Then it grew wilder, and though the organ notes remained it was an organ that had never sounded within church walls. The tune went with a steady rhythm, the rhythm of growing things in spring, of seasonal changes; but always ran the undercurrent of a leaping bacchanal madness, of long wild dances in bare places. The fiddle ceased on a soft note, and the fiddler fell to singing in a voice so low that the words and air only just rose above the pitch of silence. "Diana and her darling crew," he sang.