24. Portrait of Rembrandt, seen in nearly a front view, having on a fur cap, which covers his forehead to the eyebrows; his curling hair falls on his shoulders, and his robe is bordered with fur. Dated 1630.
25. Portrait of Rembrandt, with the left side of the face strongly shadowed; his frizzled hair falls on the shoulders, and his habit is a little open in front, and lined with fur. Dated 1631.
26. Portrait strongly resembling Rembrandt, seen in a front view, having short frizzled hair, and the mouth a little compressed; he has on a cap, and wears a mantle attached by a little ribbon.
27. Portrait of Rembrandt, closely resembling No. 1. The face is seen in a front view, and the body in a three-quarter position; the hair is frizzled, and a toupée is on the left side; the eyes and forehead are in shadow.
28. Portrait of Rembrandt, seen in a three-quarter view, with a small beard and mustacheos; a cap of the usual shape covers his frizzled hair, and the dress is composed of a mantle bordered with fur. This is placed by Bartsch and Gersaint among the fancy portraits.
29. Portrait resembling Rembrandt when young, seen in a front view, with round face, large nose, the mouth a little open, short frizzled hair, and a cap on the head; his mantle is attached by four buttons in front. Dated 1630.
30. Portrait of Rembrandt (styled by some writers, "Titus, the Son of the Artist.") It represents a young man, with ragged frizzled hair falling on the shoulders. He is dressed in a habit with a collar. Dated 1639.
31. Portrait of Rembrandt, or very like him, when a young man; he has frizzled hair, and wears a fur cap. (Octagon.) This is inserted by other writers among the fancy heads.
32. Portrait closely resembling Rembrandt, seen in a front view, with a cap on; the attitude is that of a person drawing. Engraved very lightly, and almost without shadow, on a narrow plate.