331. A Head, similar to that of the preceding print, and supposed by some amateurs to have been a study for it, but M. Claussins, in his catalogue, combats that opinion.
*332. Portrait of a Woman, styled, "The little Jewish Bride." Her face is seen in a three-quarter view, and she appears to be standing, with her hands crossed on her waist. Dated 1633.
333. An aged Woman, seated at a table, with her hands placed one on the other; a black veil covers her head, and a mantle, bordered with fur, envelopes her shoulders.
334. An aged Woman; she appears to be also seated, and is seen in a three-quarter view, with a kind of bonnet on her head, and a veil over it; her dress terminates in a frill.
335. Portrait of a young Woman, seen in nearly a profile view, seated near a table, on which is a book; her right hand is concealed by her robe, and the left placed on the book. Dated 1634.
336. An aged Woman meditating over a book. She is seated, having her right hand under her robe, and the left on a book lying on a table. A half-figure, looking to the left.
337. Portrait of a Woman, seen in a profile view. Her hair is tastefully arranged, and decked with pearls; two rows of the same adorn her neck, and the sleeves of her robe are open. Dated 1634.
338. Portrait of an elderly Woman, seen in a profile view. She is seated, with the left hand placed on her breast, and the right on the elbow of her chair. Dated 1631.
339. A Bust Portrait of the Mother of Rembrandt, represented in nearly a front view, with a veil on her head. Her left hand is placed on her breast. Dated 1631.
340. An elderly Woman sleeping. She appears to have been fatigued with reading, and having removed her spectacles from her eyes, has fallen asleep while resting her head on her hand.