He was an individualist of the most pronounced type. The penalty of this type of mind is narrowness; the advantage is the personal flavor imparted to the written page. Thoreau's books contain plenty of the pepper and salt of character and contrariness; even their savor of whim and prejudice adds to their literary tang. When his individualism becomes aggressive egotism, as often happens, it is irritating; but when it gives only that pungent and personal flavor which pervades much of "Walden," it is very welcome.
Thoreau's critics justly aver that he severely arraigns his countrymen because they are not all Thoreaus—that they do not desert their farms and desks and shops and take to the woods. What unmeasured contempt he pours out upon the lives and ambitions of most of them! Need a nature-lover, it is urged, necessarily be a man-hater? Is not man a part of nature?—averaging up quite as good as the total scheme of things out of which he came? Cannot his vices and shortcomings be matched by a thousand cruel and abortive things in the fields and the woods? The fountain cannot rise above its source, and man is as good as is the nature out of which he came, and of which he is a part. Most of Thoreau's harsh judgments upon his neighbors and countrymen are only his extreme individualism gone to seed.
An extremist he always was. Extreme views commended themselves to him because they were extreme. His aim in writing was usually "to make an extreme statement." He left the middle ground to the school committees and trustees. He had in him the stuff of which martyrs and heroes are made. In John Brown he recognized a kindred soul. But his literary bent led him to take his own revolutionary impulses out in words. The closest he came to imitation of the hero of Harper's Ferry and to defying the Government was on one occasion when he refused to pay his poll-tax and thus got himself locked in jail overnight. It all seems a petty and ignoble ending of his fierce denunciation of politics and government, but it no doubt helped to satisfy his imagination, which so tyrannized over him throughout life. He could endure offenses against his heart and conscience and reason easier than against his imagination.
He presents that curious phenomenon of a man who is an extreme product of culture and civilization, and yet who so hungers and thirsts for the wild and the primitive that he is unfair to the forces and conditions out of which he came, and by which he is at all times nourished and upheld. He made his excursions into the Maine wilderness and lived in his hut by Walden Pond as a scholar and philosopher, and not at all in the spirit of the lumbermen and sportsmen whose wildness he so much admired. It was from his vantage-ground of culture and of Concord transcendentalism that he appraised all these types. It was from a community built up and sustained by the common industries and the love of gain that he decried all these things. It was from a town and a civilization that owed much to the pine tree that he launched his diatribe against the lumbermen in the Maine woods: "The pine is no more lumber than man is; and to be made into boards and houses no more its true and highest use than the truest use of man is to be cut down and made into manure." Not a happy comparison, but no matter. If the pine tree had not been cut down and made into lumber, it is quite certain that Thoreau would never have got to the Maine woods to utter this protest, just as it is equally certain that had he not been a member of a thrifty and industrious community, and kept his hold upon it, he could not have made his Walden experiment of toying and coquetting with the wild and the non-industrial. His occupations as land-surveyor, lyceum lecturer, and magazine writer attest how much he owed to the civilization he was so fond of decrying. This is Thoreau's weakness—the half-truths in which he plumes himself, as if they were the whole law and gospel. His Walden bean-field was only a pretty piece of play-acting; he cared more for the ringing of his hoe upon the stones than for the beans. Had his living really depended upon the product, the sound would not have pleased him so, and the botany of the weeds he hoed under would not have so interested him.
Thoreau's half-truths titillate and amuse the mind. We do not nod over his page. We enjoy his art while experiencing an undercurrent of protest against his unfairness. We could have wished him to have shown himself in his writings as somewhat sweeter and more tolerant toward the rest of the world, broader in outlook, and more just and charitable in disposition—more like his great prototype, Emerson, who could do full justice to the wild and the spontaneous without doing an injustice to their opposites; who could see the beauty of the pine tree, yet sing the praises of the pine-tree State House; who could arraign the Government, yet pay his taxes; who could cherish Thoreau, and yet see all his limitations. Emerson affirmed more than he denied, and his charity was as broad as his judgment. He set Thoreau a good example in bragging, but he bragged to a better purpose. He exalted the present moment, the universal fact, the omnipotence of the moral law, the sacredness of private judgment; he pitted the man of to-day against all the saints and heroes of history; and, although he decried traveling, he was yet considerable of a traveler, and never tried to persuade himself that Concord was an epitome of the world. Emerson comes much nearer being a national figure than does Thoreau, and yet Thoreau, by reason of his very narrowness and perversity, and by his intense local character, united to the penetrating character of his genius, has made an enduring impression upon our literature.
III
Thoreau's life was a search for the wild. He was the great disciple of the Gospel of Walking. He elevated walking into a religious exercise. One of his most significant and entertaining chapters is on "Walking." No other writer that I recall has set forth the Gospel of Walking so eloquently and so stimulatingly. Thoreau's religion and his philosophy are all in this chapter. It is his most mature, his most complete and comprehensive statement. He says:
I have met with but one or two persons in the course of my life who understood the art of Walking, that is, of taking walks—who had a genius, so to speak, for sauntering, which word is beautifully derived "from idle people who roved about the country, in the Middle Ages, and asked charity, under pretence of going à la Sainte Terre," to the Holy Land, till the children exclaimed, "There goes a Sainte-Terrer,"—a Saunterer, a Holy-Lander. They who never go to the Holy Land in their walks, as they pretend, are indeed mere idlers and vagabonds; but they who do go there are saunterers in the good sense, such as I mean.... For every walk is a sort of crusade, preached by some Peter the Hermit in us, to go forth and reconquer this Holy Land from the hands of the Infidels.
Thoreau was the first man in this country, or in any other, so far as I know, who made a religion of walking—the first to announce a Gospel of the Wild. That he went forth into wild nature in much the same spirit that the old hermits went into the desert, and was as devout in his way as they were in theirs, is revealed by numerous passages in his Journal. He would make his life a sacrament; he discarded the old religious terms and ideas, and struck out new ones of his own: