The meadowlark sings in a level flight, half hovering in the air, giving voice to a rapid medley of lark-like notes. The goldfinch also sings in a level flight, beating the air slowly with its wings broadly open, and pouring out its jubilant, ecstatic strain I think it indulges in this wing-song only in the early season. After the mother bird has begun sitting, the male circles about within earshot of her, in that curious undulating flight, uttering his "per-chic-o-pee, per-chic-o-pee," while the female calls back to him in the tenderest tones, "Yes, lovie; I hear you." The indigo-bird and the purple finch, when their happiness becomes too full and buoyant for them longer to control it, launch into the air, and sing briefly, ecstatically, in a tremulous, hovering flight. The air-song of these birds does not differ essentially from the song delivered from the perch, except that it betrays more excitement, and hence is a more complete lyrical rapture.
The purple finch is our finest songster among the finches. Its strain is so soft and melodious, and touched with such a childlike gayety and plaintiveness, that I think it might sound well even in a cage inside a room, if the bird would only sing with the same joyous abandonment, which, of course, it would not do.
It is not generally known that individual birds of the same species show different degrees of musical ability. This is often noticed in caged birds, among which the principle of variation seems more active; but an attentive observer notes the same fact in wild birds. Occasionally he hears one that in powers of song surpasses all its fellows. I have heard a sparrow, an oriole, and a wood thrush, each of which had a song of its own that far exceeded any other. I stood one day by a trout-stream, and suspended my fishing for several minutes to watch a song sparrow that was singing on a dry limb before me. He had five distinct songs, each as markedly different from the others as any human songs, which he repeated one after the other. He may have had a sixth or a seventh, but he bethought himself of some business in the next field, and flew away before he had exhausted his repertory. I once had a letter from Robert Louis Stevenson, who said he had read an account I had written of the song of the English blackbird. He said I might as well talk of the song of man; that every blackbird had its own song; and then he told me of a remarkable singer he used to hear somewhere amid the Scottish hills. But his singer was, of course, an exception; twenty-four blackbirds out of every twenty-five probably sing the same song, with no appreciable variations: but the twenty-fifth may show extraordinary powers. I told Stevenson that his famous singer had probably been to school to some nightingale on the Continent or in southern England. I might have told him of the robin I once heard here that sang with great spirit and accuracy the song of the brown thrasher, or of another that had the note of the whip-poor-will interpolated in the regular robin song, or of still another that had the call of the quail. In each case the bird had probably heard the song and learned it while very young. In the Trossachs, in Scotland, I followed a song thrush about for a long time, attracted by its peculiar song. It repeated over and over again three or four notes of a well-known air, which it might have caught from some shepherd boy whistling to his flock or to his cow.
The songless birds—why has Nature denied them this gift? But they nearly all have some musical call or impulse that serves them very well. The quail has his whistle, the woodpecker his drum, the pewee his plaintive cry, the chickadee his exquisitely sweet call, the highhole his long, repeated "wick, wick, wick," one of the most welcome sounds of spring, the jay his musical gurgle, the hawk his scream, the crow his sturdy caw. Only one of our pretty birds of the orchard is reduced to an all but inaudible note, and that is the cedar-bird.
III
NATURE WITH CLOSED DOORS
December in our climate is the month when Nature finally shuts up house and turns the key. She has been slowly packing up and putting away her things and closing a door and a window here and there all the fall. Now she completes the work and puts up the last bar. She is ready for winter. The leaves are all off the trees, except that here and there a beech or an oak or a hickory still clings to a remnant of its withered foliage. Her streams are full, her new growths of wood are ripened, her saps and juices are quiescent. The muskrat has completed his house in the shallow pond or stream, the beaver in the northern woods has completed his. The wild mice and the chipmunk have laid up their winter stores of nuts and grains in their dens in the ground and in the cavities of trees. The woodchuck is rolled up in his burrow in the hillside, sleeping his long winter sleep. The coon has deserted his chamber in the old tree and gone into winter quarters in his den in the rocks. The winter birds have taken on a good coat of fat against the coming cold and a possible scarcity of food. The frogs and toads are all in their hibernaculums in the ground.
I saw it stated the other day, in a paper read before some scientific body, that the wood frogs retreat two feet into the ground beyond the reach of frost. In two instances I have found the wood frog in December with a covering of less than two inches of leaves and moss. It had buried itself in the soil and leaf mould only to the depth of the thickness of its own body, and for covering had only the ordinary coat of dry leaves and pine needles to be found in the wood. It was evidently counting upon the snow for its main protection. In one case I marked the spot, and returned there in early spring to see how the frog had wintered. I found it all right. Evidently it had some charm against the cold, for while the earth around and beneath it was yet frozen solid, there was no frost in the frog. It was not a brisk frog, but it was well, and when I came again on a warm day a week later, it had come forth from its retreat and was headed for the near-by marsh, where in April, with its kith and kin, it helped make the air vocal with its love-calls. A friend of mine, one mild day late in December, found a wood frog sitting upon the snow in the woods. She took it home and put it to bed in the soil of one of her flower-pots in the cellar. In the spring she found it in good condition, and in April carried it back to the woods. The hyla, or little piping frog, passes the winter in the ground like the wood frog. I have seen the toad go into the ground in the late fall. It is an interesting proceeding. It literally elbows its way into the soil. It sits on end, and works and presses with the sharp joints of its folded legs until it has sunk itself at a sufficient depth, which is only a few inches beneath the surface. The water frogs appear to pass the winter in the mud at the bottom of ponds and marshes. The queen bumblebee and the queen hornet, I think, seek out their winter quarters in holes in the ground in September, while the drones and the workers perish. The honey-bees do not hibernate: they must have food all winter; but our native wild bees are dormant during the cold months, and survive the winter only in the person of the queen mother. In the spring these queens set up housekeeping alone, and found new families.