At the Red Horse the pilgrim is in no danger of having the charm and the poetical atmosphere with which he has surrounded himself dispelled, but rather enhanced and deepened, especially if he has the luck I had, to find few other guests, and to fall into the hands of one of those simple, strawberry-like English housemaids, who gives him a cozy, snug little parlor all to himself, as was the luck of Irving also; who answers his every summons, and looks into his eyes with the simplicity and directness of a child; who could step from no page but that of Scott or the divine William himself; who puts the "coals" on your grate with her own hands, and, when you ask for a lunch, spreads the cloth on one end of the table while you sit reading or writing at the other, and places before you a whole haunch of delicious cold mutton, with bread and homebrewed ale, and requests you to help yourself; who, when bedtime arrives, lights you up to a clean, sweet chamber, with a high-canopied bed hung with snow-white curtains; who calls you in the morning, and makes ready your breakfast while you sit with your feet on the fender before the blazing grate; and to whom you pay your reckoning on leaving, having escaped entirely all the barrenness and publicity of hotel life, and had all the privacy and quiet of home without any of its cares or interruptions. And this, let me say here, is the great charm of the characteristic English inn; it has a domestic, homelike air. "Taking mine ease at mine inn" has a real significance in England. You can take your ease and more; you can take real solid comfort. In the first place, there is no bar-room, and consequently no loafers or pimps, or fumes of tobacco or whiskey; then there is no landlord or proprietor or hotel clerk to lord it over you. The host, if there is such a person, has a way of keeping himself in the background, or absolutely out of sight, that is entirely admirable. You are monarch of all you survey. You are not made to feel that it is in some one else's house you are staying, and that you must court the master for his favor. It is your house, you are the master, and you have only to enjoy your own.
In the gray, misty afternoon, I walked out over the Avon, like all English streams full to its grassy brim, and its current betrayed only by a floating leaf or feather, and along English fields and roads, and noted the familiar sights and sounds and smells of autumn. The spire of the church where Shakespeare lies buried shot up stately and tall from the banks of the Avon, a little removed from the village; and the church itself, more like a cathedral in size and beauty, was also visible above the trees. Thitherward I soon bent my steps, and while I was lingering among the graves*, reading the names and dates so many centuries old, and surveying the gray and weather-worn exterior of the church, the slow tolling of the bell announced a funeral. Upon such a stage, and amid such surroundings, with all this past for a background, the shadowy figure of the peerless bard towering over all, the incident of the moment had a strange interest to me, and I looked about for the funeral cortege. Presently a group of three or four figures appeared at the head of the avenue of limes, the foremost of them a woman, bearing an infant's coffin under her arm, wrapped in a white sheet. The clerk and sexton, with their robes on, went out to meet them, and conducted them into the church, where the service proper to such occasions was read, after which the coffin was taken out as it was brought in, and lowered into the grave. It was the smallest funeral I ever saw, and my effort to play the part of a sympathizing public by hovering in the background, I fear, was only an intrusion after all.
[* Footnote: In England the church always stands in the midst of the graveyard, and hence can be approached only on foot. People it seems, never go to church in carriages or wagons, but on foot, along paths and lanes.]
Having loitered to my heart's content amid the stillness of the old church, and paced to and fro above the illustrious dead, I set out, with the sun about an hour high, to see the house of Anne Hathaway at Shottery, shunning the highway and following a path that followed hedge-rows, crossed meadows and pastures, skirted turnip-fields and cabbage-patches, to a quaint gathering of low thatched houses,—a little village of farmers and laborers, about a mile from Stratford. At the gate in front of the house a boy was hitching a little gray donkey, almost hidden beneath two immense panniers filled with coarse hay.
"Whose house is this?" inquired I, not being quite able to make out the name.
"Hann' Ataway's 'ouse," said he.
So I took a good look at Anne's house,—a homely, human-looking habitation, with its old oak beams and thatched roof,—but did not go in, as Mrs. Baker, who was eying me from the door, evidently hoped I would, but chose rather to walk past it and up the slight rise of ground beyond, where I paused and looked out over the fields, just lit up by the setting sun. Returning, I stepped into the Shakespeare Tavern, a little, homely wayside place on a street, or more like a path, apart from the main road, and the good dame brought me some "home-brewed," which I drank sitting by a rude table on a rude bench in a small, low room, with a stone floor and an immense chimney. The coals burned cheerily, and the crane and hooks in the fireplace called up visions of my earliest childhood. Apparently the house and the surroundings, and the atmosphere of the place and the ways of the people, were what they were three hundred years ago. It was all sweet and good, and I enjoyed it hugely, and was much refreshed.
Crossing the fields in the gloaming, I came up with some children, each with a tin bucket of milk, threading their way toward Stratford. The little girl, a child ten years old, having a larger bucket than the rest, was obliged to set down her burden every few rods and rest; so I lent her a helping hand. I thought her prattle, in that broad but musical patois, and along these old hedge-rows, the most delicious I ever heard. She said they came to Shottery for milk because it was much better than they got at Stratford. In America they had a cow of their own. Had she lived in America, then? "Oh, yes, four years," and the stream of her talk was fuller at once. But I hardly recognized even the name of my own country in her innocent prattle; it seemed like a land of fable,—all had a remote mythological air, and I pressed my inquiries as if I was hearing of this strange land for the first time. She had an uncle still living in the "States of Hoio," but exactly where her father had lived was not so clear. In the States somewhere, and in "Ogden's Valley." There was a lake there that had salt in it, and not far off was the sea. "In America," she said, and she gave such a sweet and novel twang to her words, "we had a cow of our own, and two horses and a wagon and a dog." "Yes," joined in her little brother, "and nice chickens and a goose." "But," continued the sister, "we owns none o' them here. In America 'most everybody owned their houses, and we could 'a' owned a house if we had stayid."
"What made you leave America?" I inquired.
"'Cause me father wanted to see his friends."