Winter Sunshine

by John Burroughs

Even the crows and the buzzards draw the eye fondly. The National Capital is a great place for buzzards, and I make the remark in no double or allegorical sense either, for the buzzards I mean are black and harmless as doves, though perhaps hardly dovelike in their tastes. My vulture is also a bird of leisure, and sails through the ether on long flexible pinions, as if that was the one delight of his life. Some birds have wings, others have "pinions." The buzzard enjoys this latter distinctions. There is something in the sound of the word that suggests that easy, dignified, undulatory movement. He does not propel himself along by sheer force of muscle, after the plebeian fashion of the crow, for instance, but progresses by a kind of royal indirection that puzzles the eye. Even on a windy winter day he rides the vast aerial billows as placidly as ever, rising and falling as he comes up toward you, carving his way through the resisting currents by a slight oscillation to the right and left, but never once beating the air openly.

This superabundance of wing power is very unequally distributed among the feathered races, the hawks and vultures having by far the greater share of it. They cannot command the most speed, but their apparatus seems the most delicate and consummate. Apparently a fine play of muscle, a subtle shifting of the power along the outstretched wings, a perpetual loss and a perpetual recovery of the equipoise, sustains them and bears them along. With them flying is a luxury, a fine art; not merely a quicker and safer means of transit from one point to another, but a gift so free and spontaneous that work becomes leisure and movement rest. They are not so much going somewhere, from this perch to that, as they are abandoning themselves to the mere pleasure of riding upon the air.

And it is beneath such grace and high-bred leisure that Nature hides in her creatures the occupation of scavenger and carrion-eater!

But the worst thing about the buzzard is his silence. The crow caws, the hawk screams, the eagle barks, but the buzzard says not a word. So far as I have observed, he has no vocal powers whatever. Nature dare not trust him to speak. In his case she preserves discreet silence.

The crow may not have the sweet voice which the fox in his flattery attributed to him, but he has a good, strong, native speech, nevertheless. How much character there is in it! How much thrift and independence! Of course his plumage is firm, his color decided, his wit quick. He understands you at once and tells you so; so does the hawk by his scornful, defiant whir-r-r-r-r. Hardy, happy outlaws, the crows, how I love them! Alert, social, republican, always able to look out for himself, not afraid of the cold and the snow, fishing when flesh is scarce, and stealing when other resources fail, the crow is a character I would not willingly miss from the landscape. I love to see his track in the snow or the mud, and his graceful pedestrianism about the brown fields.

He is no interloper, but has the air and manner of being thoroughly at home, and in rightful possession of the land. He is no sentimentalist like some of the plaining, disconsolate song-birds, but apparently is always in good health and good spirits. No matter who is sick, or dejected, or unsatisfied, or what the weather is, or what the price of corn, the crow is well and finds life sweet. He is the dusky embodiment of worldly wisdom and prudence. Then he is one of Nature's self-appointed constables and greatly magnifies his office. He would fain arrest every hawk or owl or grimalkin that ventures abroad. I have known a posse of them to beset the fox and cry "Thief!" till Reynard hid himself for shame. Do I say the fox flattered the crow when he told him he had a sweet voice? Yet one of the most musical sounds in nature proceeds from the crow. All the crow tribe, from the blue jay up, are capable of certain low ventriloquial notes that have peculiar cadence and charm. I often hear the crow indulging in his in winter, and am reminded of the sound of the dulcimer. The bird stretches up and exerts himself like a cock in the act of crowing, and gives forth a peculiarly clear, vitreous sound that is sure to arrest and reward your attention. This is no doubt the song the fox begged to be favored with, as in delivering it the crow must inevitably let drop the piece of meat.

The crow in his purity, I believe, is seen and heard only in the North. Before you reach the Potomac there is an infusion of a weaker element, the fish crow, whose helpless feminine call contrasts strongly with the hearty masculine caw of the original Simon.

In passing from crows to colored men, I hope I am not guilty of any disrespect toward the latter. In my walks about Washington, both winter and summer, colored men are about the only pedestrians I meet; and I meet them everywhere, in the fields and in the woods and in the public road, swinging along with that peculiar, rambling, elastic gait, taking advantage of the short cuts and threading the country with paths and byways. I doubt if the colored man can compete with his white brother as a walker; his foot is too flat and the calves of his legs too small, but he is certainly the most picturesque traveler to be seen on the road. He bends his knees more than the white man, and oscillates more to and fro, or from side to side. The imaginary line which his head describes is full of deep and long undulations. Even the boys and young men sway as if bearing a burden.

Along the fences and by the woods I come upon their snares, dead-falls, and rud box-traps. The freedman is a successful trapper and hunter, and has by nature an insight into these things. I frequently see him in market or on his way thither with a tame 'possum clinging timidly to his shoulders, or a young coon or fox led by a chain. Indeed, the colored man behaves precisely like the rude unsophisticated peasant that he is, and there is fully as much virtue in him, using the word in its true sense, as in the white peasant; indeed, much more than in the poor whites who grew up by his side; while there is often a benignity and a depth of human experience and sympathy about some of these dark faces that comes home to one like the best one sees in art or reads in books.

One touch of nature makes all the world akin, and there is certainly a touch of nature about the colored man; indeed, I had almost said, of Anglo-Saxon nature. They have the quaintness and homeliness of the simple English stock. I seem to see my grandfather and grandmother in the ways and doings of these old "uncles" and "aunties;" indeed, the lesson comes nearer home than even that, for I seem to see myself in them, and, what is more, I see that they see themselves in me, and that neither party has much to boast of.