"It is enough. 'There she goes—there she tacks!' cries exulting the man with the telescope, 'and in half an hour she'll be safe in St. Andrew's Bay.'
"But she sails slowly back—and slowly sails the impatient cutter, with little wind to swell her sails, and that little in her face; while the fisherboat, again falling close inshore with a relay of fresh men at the oars, has the advantage of them both.
"And now there is a hot pursuit—the cutter's boat in full chase after the forlorn hope; but as the sun disappears, and the long shadows lengthen and creep along the creeks and bays of the rocky coast so well known to the pursued, so ill to the pursuer, the event of the race is soon decided; and clambering up the first accessible landing-place they can gain, and leaving their boat on the rocks behind them, the forlorn hope joyously make their way home.
"'And it's a' Katie's notion and no a morsel of mine,' says the proud Willie Morison. But alas for your stout heart, Willie!—alas for the tremulous, startled bird which beats against the innocent breast of little Katie Stewart, for no one knows what heavy shadows shall vail the ending of this Sabbath-day.
"The mild spring night has darkened, but it is still early, and the moon is not yet up. The worship is over in John Stewart's decent house, and all is still within, though the miller and his wife still sit by the 'gathered' fire, and talk in half whispers about the events of the day, and the prospects of 'the bairns.' It is scarcely nine yet, but it is the reverent usage of the family to shut out the world earlier than usual on the Sabbath; and Katie, in consideration of her fatigue, has been dismissed to her little chamber in the roof. She has gone away not unwillingly, for, just before, the miller had closed the door on the slow, reluctant, departing steps of Willie Morison, and Katie is fain to be alone.
"Very small is this chamber in the roof of the Milton, which Janet and Katie used to share. She has set down her candle on the little table before that small glass in the dark carved frame, and herself stands by the window, which she has opened, looking out. The rush of the burn fills the soft air with sound, into which sometimes penetrates a far-off voice, which proclaims the little town still awake and stirring: but save the light from Robert Moulter's uncurtained window—revealing a dark gleaming link of the burn, before the cot-house door—and the reddened sky yonder, reflecting that fierce torch on the May, there is nothing visible but the dark line of fields, and a few faint stars in the clouded sky.
"But the houses in Anster are not yet closed or silent. In the street which leads past the town-house and church of West Anster to the shore, you can see a ruddy light streaming out from the window upon the causeway, the dark churchyard wall, and over-hanging trees. At the fire stands a comely young woman, lifting 'a kettle of potatoes' from the crook. The 'kettle' is a capacious pot on three feet, formed not like the ordinary 'kail-pat,' but like a little tub of iron; and now, as it is set down before the ruddy fire, you see it is full of laughing potatoes, disclosing themselves, snow-white and mealy, through the cracks in their clear dark coats. The mother of the household sits by the fireside, with a volume of sermons in her hand; but she is paying but little attention to the book, for the kitchen is full of young sailors, eagerly discussing the events of the day, and through the hospitable open door others are entering and departing with friendly salutations. Another such animated company fills the house of the widow Morison, 'aest the town,' for still the afternoon's excitement has not subsided.
"But up this dark leaf-shadowed street, in which we stand, there comes a muffled tramp as of stealthy footsteps. They hear nothing of it in that bright warm kitchen—fear nothing, as they gather round the fire, and sometimes rise so loud in their conversation that the house-mother lifts her hand, and shakes her head, with an admonitory, 'Whist bairns; mind, it's the Sabbath-day.'