PRINCIPAL WORKS: Generally speaking, Spanish art cannot be seen to advantage outside of Spain. Both its ancient and modern masterpieces are at Madrid, Seville, Toledo, and elsewhere. The Royal Gallery at Madrid has the most and the best examples.
Castilian School—Rincon, altar-piece church of Robleda de Chavilla; Berruguete, altar-pieces Saragossa, Valladolid, Madrid, Toledo; Morales, Madrid and Louvre; Sanchez-Coello, Madrid and Brussels Mus.; Navarette, Escorial, Madrid, St. Petersburg; Theotocopuli, Cathedral and S. Tomé Toledo, Madrid Mus.; Velasquez, best works in Madrid Mus., Escorial, Salamanca, Montpensier Gals., Nat. Gal. Lon., Infanta Marguerita Louvre, Borro portrait (?) Berlin, Innocent X. Doria Rome; Mazo, landscapes Madrid Mus.; Carreño de Miranda, Madrid Mus.; Claudio Coello, Escorial, Madrid, Brussels, Berlin, and Munich Mus.
Andalusian School—Vargas, Seville Cathedral; Cespedes, Cordova Cathedral; Roelas, S. Isidore Cathedral, Museum Seville; Pacheco, Madrid Mus.; Herrera, Seville Cathedral and Mus. and Archbishop's Palace, Dresden Mus.; Zurbaran, Seville Cathedral and Mus. Madrid, Dresden, Louvre, Nat. Gal. Lon.; Cano, Madrid, Seville Mus. and Cathedral, Berlin, Dresden, Munich; Murillo, best pictures in Madrid Mus. and Acad. of S. Fernando Madrid, Seville Mus. Hospital and Capuchin Church, Louvre, Nat. Gal. Lon., Dresden, Munich, Hermitage.
Valencian School—Juan de Joanes, Madrid Mus., Cathedral Valencia, Hermitage; Ribalta, Madrid and Valencian Mus., Hermitage; Ribera, Louvre, Nat. Gal. Lon., Dresden, Naples, Hermitage, and other European museums, chief works at Madrid.
Modern Men and Their Works—Goya, Madrid Mus., Acad. of S. Fernando, Valencian Cathedral and Mus., two portraits in Louvre. The works of the contemporary painters are largely in private hands where reference to them is of little use to the average student. Thirty Fortunys are in the collection of William H. Stewart in Paris. His best work, The Spanish Marriage, belongs to Madame de Cassin, in Paris. Examples of Villegas, Madrazo, Rico, Domingo, and others, in the Vanderbilt Gallery, Metropolitan Mus., New York; Boston, Chicago, and Philadelphia Mus.
CHAPTER XVI.
FLEMISH PAINTING.
Books Recommended: Busscher, Recherches sur les Peintres Gantois; Crowe and Cavalcaselle, Early Flemish Painters; Cust, Van Dyck; Dehaisnes, L'Art dans la Flandre; Du Jardin, L'art Flamand; Eisenmann, The Brothers Van Eyck; Fétis, Les Artistes Belges à l'Étranger; Fromentin, Old Masters of Belgium and Holland; Gerrits, Rubens zyn Tyd, etc.; Guiffrey, Van Dyck; Hasselt, Histoire de Rubens; (Waagen's) Kügler, Handbook of Painting—German, Flemish, and Dutch Schools; Lemonnier, Histoire des Arts en Belgique; Mantz, Adrien Brouwer; Michel, Rubens; Michiels, Rubens en l'École d'Anvers; Michiels, Histoire de la Peinture Flamande; Stevenson, Rubens; Van den Branden, Geschiedenis der Antwerpsche Schilderschool; Van Mander, Le Livre des Peintres; Waagen, Uber Hubert und Jan Van Eyck; Waagen, Peter Paul Rubens; Wauters, Rogier van der Weyden; Wauters, La Peinture Flamande; Weale, Hans Memling (Arundel Soc.); Weale, Notes sur Jean Van Eyck.