PRINCIPAL WORKS:Hubert van Eyck, Adoration of the Lamb (with Jan van Eyck) St. Bavon Ghent (wings at Brussels and Berlin supposed to be by Jan, the rest by Hubert); Jan van Eyck, as above, also Arnolfini portraits Nat. Gal. Lon., Virgin and Donor Louvre, Madonna Staedel Mus., Man with Pinks Berlin, Triumph of Church Madrid; Van der Weyden, a number of pictures in Brussels and Antwerp Mus., also at Staedel Mus., Berlin, Munich, Vienna; Cristus, Berlin, Staedel Mus., Hermitage, Madrid; Justus van Ghent, Last Supper Urbino Gal.; Bouts, St. Peter Louvain, Munich, Berlin, Brussels, Vienna; Memling, Brussels Mus. and Bruges Acad., and Hospital Antwerp, Turin, Uffizi, Munich, Vienna; Van der Meire, triptych St. Bavon Ghent; Ghaeraert David, Bruges, Berlin, Rouen, Munich.

Massys, Brussels, Antwerp, Berlin, St. Petersburg; best works Deposition in Antwerp Gal. and Merchant and Wife Louvre; Mostert, altar-piece Notre Dame Bruges; Mabuse, Madonnas Palermo, Milan Cathedral, Prague, other works Vienna, Berlin, Munich, Antwerp; Floris, Antwerp, Amsterdam, Brussels, Berlin, Munich, Vienna; Barent van Orley, altar-pieces Church of the Saviour Antwerp, and Brussels Mus.; Cocxie, Antwerp, Brussels, and Madrid Mus.; Pourbus, Bruges, Brussels, Vienna Mus.; Moro, portraits Madrid, Vienna, Hague, Brussels, Cassel, Louvre, St. Petersburg Mus.; Bril, landscapes Madrid, Louvre, Dresden, Berlin Mus.; the landscapes of the three Breughels are to be seen in most of the museums of Europe, especially at Munich, Dresden, and Madrid.

Rubens, many works, 93 in Munich, 35 in Dresden, 15 at Cassel, 16 at Berlin, 14 in London, 90 in Vienna, 66 in Madrid, 54 in Paris, 63 at St. Petersburg (as given by Wauters), best works at Antwerp, Vienna, Munich, and Madrid; Van Noort, Antwerp, Brussels Mus., Ghent and Antwerp Cathedrals; Van Dyck, Windsor Castle, Nat. Gal. Lon., 41 in Munich, 19 in Dresden, 15 in Cassel, 13 in Berlin, 67 in Vienna, 21 in Madrid, 24 in Paris, and 38 in St. Petersburg (Wauters), best examples in Vienna, Louvre, Nat. Gal. Lon.; and Madrid, good example in Met. Mus. N. Y.; Diepenbeeck, Antwerp Churches and Mus., Berlin, Vienna, Munich, Frankfort; Jordaens, Brussels, Antwerp, Munich, Vienna, Cassel, Madrid, Paris; Crayer, Brussels, Munich, Vienna; Janssens, Antwerp Mus., St. Bavon Ghent, Brussels and Cologne Mus.; Zegers, Cathedral Ghent, Notre Dame Bruges, Antwerp Mus.; Rombouts, Mus. and Cathedral Ghent, Antwerp Mus., Beguin Convent Mechlin, Hospital of St. John Bruges; De Vos, Cathedral and Mus. Antwerp, Munich, Oldenburg, Berlin Mus.; Snyders, Munich, Dresden, Vienna, Madrid, Paris, St. Petersburg; Fyt, Munich, Dresden, Cassel, Berlin, Vienna, Madrid, Paris; Teniers the Younger, 29 pictures in Munich, 24 in Dresden, 8 in Berlin, 19 in Nat. Gal. Lon., 33 in Vienna, 52 in Madrid, 34 in Louvre, 40 in St. Petersburg (Wauters); Brauwer, 19 in Munich, 6 in Dresden, 4 in Berlin, 5 in Paris, 5 in St. Petersburgh (Wauters); Coques, Nat. Gal. Lon., Amsterdam, Berlin, Munich Mus.

Verhagen, Antwerp, Brussels, Ghent, and Vienna Mus.; Navez, Ghent, Antwerp, and Amsterdam Mus., Nat. Gal. Berlin; Wappers, Amsterdam, Brussels, Versailles Mus.; Wiertz, in Wiertz Gal. Brussels; Gallait, Liége, Versailles, Tournay, Brussels, Nat. Gal. Berlin; Leys, Amsterdam Mus., New Pinacothek, Munich, Brussels, Nat. Gal. Berlin, Antwerp Mus. and City Hall; Alfred Stevens, Marseilles, Brussels, frescos Royal Pal. Brussels; Willems, Brussels Mus. and Foder Mus. Amsterdam, Met. Mus. N. Y.; Verboeckhoven, Amsterdam, Foder, Nat. Gal. Berlin, New Pinacothek, Brussels, Ghent, Met. Mus. N. Y.; Clays, Ghent Mus.; Wauters, Brussels, Liége Mus.; Van Beers, Burial of Charles the Good Amsterdam Mus.


CHAPTER XVII.

DUTCH PAINTING.

Books Recommended: As before Fromentin, (Waagen's) Kügler; Amand-Durand, Œuvre de Rembrandt; Archief voor Nederlandsche Kunst-geschiedenis; Blanc, Œuvre de Rembrandt; Bode, Franz Hals und seine Schule; Bode, Studien zur Geschichte der Hollandischen Malerei; Bode, Adriaan van Ostade; Brown, Rembrandt; Burger (Th. Thoré), Les Musées de la Hollande; Havard, La Peinture Hollandaise; Michel, Rembrandt; Michel, Gerard Terburg et sa Famille; Mantz, Adrien Brouwer; Rooses, Dutch Painters of the Nineteenth Century; Rooses, Rubens; Schmidt, Das Leben des Malers Adriaen Brouwer; Van der Willigen, Les Artistes de Harlem; Van Mander, Leven der Nederlandsche en Hoogduitsche Schilders; Vosmaer, Rembrandt, sa Vie et ses Œuvres; Westrheene, Jan Steen, Étude sur l'Art en Hollande; Van Dyke, Old Dutch and Flemish Masters.

THE DUTCH PEOPLE AND THEIR ART: Though Holland produced a somewhat different quality of art from Flanders and Belgium, yet in many respects the people at the north were not very different from those at the south of the Netherlands. They were perhaps less versatile, less volatile, less like the French and more like the Germans. Fond of homely joys and the quiet peace of town and domestic life, the Dutch were matter-of-fact in all things, sturdy, honest, coarse at times, sufficient unto themselves, and caring little for what other people did. Just so with their painters. They were realistic at times to grotesqueness. Little troubled with fine poetic frenzies they painted their own lives in street, town-hall, tavern, and kitchen, conscious that it was good because true to themselves.