Johnson was prevented by his poverty from getting the full advantages either out of the life or the studies of Oxford. His want of shoes prevented his attending lectures, his pride forbad him to receive doles of help, the friend, said to be a Mr. Corbet of Shropshire, on whose promises of support he had relied in going to Oxford, failed him, his father's business went from little to less; with the inevitable result that he had to leave Oxford without a degree. This was in December 1729. But he had made an impression there, had a strong affection for his College, and liked going to stay there in the days of his glory. His usual host was one Dr. Adams, the Master of Pembroke, who had once been his tutor but told Boswell that the relation was only nominal; "he was above my mark." When he left Oxford he returned to his Lichfield home, where his father died two months later, leaving so little behind him that all that Johnson received of his estate was twenty pounds. He seems to have remained at Lichfield, where the poverty of his family did not prevent his mixing with the most cultivated society of a town rich in cultivated people, till 1732, when he became an usher in a school at Market Bosworth. He hated this monotonous drudgery {92} and left it after a few months, going to live with a Mr. Warren, a Birmingham bookseller of good repute, whom he helped by his knowledge of literature. While in Birmingham he did a translation of a Jesuit book about Abyssinia, for which Warren paid him five guineas. In 1734 he returned to Lichfield, tried without success to obtain subscribers for an edition of the poems of Politian, and offered to write in the Gentleman's Magazine. It is difficult to see how he supported himself at this period: perhaps he was helped by his mother or by his brother who carried on the bookselling business till his death a little later. Anyhow it was just at this time that he took a step for which poverty generally finds the courage more quickly than wealth. He married Elizabeth Porter at St. Werburgh's Church, Derby, in July 1735. Mrs. Porter was a widow twice his age and not of an attractive appearance; but there is no doubt that Johnson's love for her was sincere and lasting. To the end of his life he remembered her frequently in his prayers "if it were lawful," and kept the anniversary of her death with prayers and tears. Eighteen years after she died he could write in his private note-books that his grief for her was not abated and that he had less pleasure in any good that happened to him, because she could not share {93} it: and in 1782 when she had been dead thirty years, and he was drawing near his own end, he prays for her and after doing so, noted "perhaps Tetty knows that I prayed for her. Perhaps Tetty is now praying for me. God help me."
This was the inner truth of the relation between Johnson and his elderly wife, but it was natural and indeed inevitable that the world, the little world of their acquaintances, should have been chiefly alive to the humorous external aspect of the marriage, and one does not wonder that Beauclerk, whose married life was a scandal following on a divorce, should have enjoyed relating that Johnson had said to him, "Sir, it was a love marriage on both sides!" Johnson's own account of the actual wedding is singular enough. "Sir, she had read the old romances, and had got into her head the fantastical notion that a woman of spirit should use her lover like a dog. So, sir, at first she told me that I rode too fast, and she could not keep up with me; and, when I rode a little slower, she passed me, and complained that I lagged behind. I was not to be made the slave of caprice; and I resolved to begin as I meant to end. I therefore pushed on briskly, till I was fairly out of her sight. The road lay between two hedges, so I was sure she could not miss it; and I contrived that she should {94} soon come up with me. When she did, I observed her to be in tears."
Mrs. Johnson was the widow of a Birmingham draper, and brought her husband several hundred pounds, part of which was at once spent in hiring and furnishing a large house at Edial near Lichfield where Johnson proposed to take pupils. But no pupils came except David Garrick and his brother, the sons of an old Lichfield friend, and the "academy" was abandoned after a year and a half. The lack of pupils, however, was perhaps a blessing in disguise, for it enabled Johnson to write most of his tragedy Irene, with which he went to London in March 1737. His pupil, David Garrick, went with him to study law, and when Garrick was a rich, famous and rather vain man, Johnson, who liked to curb the "insolence of wealth" once referred to 1737 as the year "when I came to London with twopence half-penny in my pocket; and thou, Davy, with three-halfpence in thine." Nothing came of this first visit to the capital. He lived as best he could, dining for eightpence, and seeing a few friends, one of whom was Henry Hervey, son of the Earl of Bristol, of whose kindness he always retained an affectionate memory, so that he once said to Boswell, "If you call a dog Hervey, I shall love him." In the summer he returned to Lichfield, and finished his {95} tragedy, after which he brought his wife back with him to London which was his home for the rest of his life. Efforts to get Irene performed were unsuccessful, but he soon began to write regularly for the Gentleman's Magazine, of which he held so high an opinion that he looked "with reverence" on the house where it was printed. To this he contributed essays and was soon employed to write the Parliamentary Debates which, in the days before reporters, were made up with fictitious names from such scanty notes as could be got of the actual speeches. There is a story of his being, many years later, in a company who were praising a famous oration of Chatham, and were naturally a good deal startled by his quietly saying, "That speech I wrote in a garret in Exeter Street." He continued to do this work till 1743 when he became aware that the speeches were taken as authentic and refused to be "accessory to the propagation of falsehood." But, while engaged in it, he had had no scruples about taking care "that the Whig dogs should not have the best of it."
A much more important matter than this hack-work was the publication of his London, a poem in imitation of the Third Satire of Juvenal. This appeared in May 1738. He got ten guineas for it, which he was in no position to despise; but he also got something {96} much more important, an established name in the world of letters. Every one talked of him, and Pope, who published his "1738" in the same year, was not only generous enough to inquire about him, and to say when told that the author of London was some obscure man, "He will soon be déterré," but also to try to get him an Irish degree of M.A. This was in view of some attempts Johnson made to escape from dependence on journalism for his daily bread: but they were all unsuccessful, and till he received his pension his only source of income was what his various writings produced. In such circumstances he naturally wrote many things of quite ephemeral interest which call for no mention now. Perhaps the only prose work of permanent value he produced in these years was the life of his mysterious friend, Richard Savage. This curious volume appeared in 1744. The subject of it died in 1743. He and Johnson had been companions both in extreme poverty and in the intellectual pleasures which in such men poverty is unable to annihilate. Mrs. Johnson seems to have been out of London at this time, and the two struggling men of letters often passed nights together, walking and talking in the streets and squares without the price of a night's lodging between them. Johnson's account of {97} his friend did not fill his pocket, but must have contributed something to his fame as it was very favourably criticized. It was the occasion of Reynolds first becoming acquainted with his name. He was so interested by the book that, having taken it up while standing with his arm leaning upon a chimney-piece, he read the whole without sitting down and found his arm quite benumbed when he got to the end.
"Slow rises worth by poverty depressed." Johnson had now been seven years in London, but had not yet found the way to do anything worthy of his powers. If he had died then, only the curious and the learned would have known his name to-day. A single satire in verse would never, by itself, have had the force to push its way through the ever-increasing crowd of applicants that besiege the attention of posterity. But the next year, 1745, is the literary turning-point of his life. Before it was over he had begun to deal with two subjects with which much of his remaining life was occupied, and on which much of his fame depends. He had published a pamphlet upon Shakespeare's Macbeth which won the praise of Warburton, for which Johnson always felt and showed his gratitude ("He praised me at a time when praise was of value to me"); and, if Boswell is right, he had begun to occupy {98} himself with the idea of making an English Dictionary. Thus, poor and obscure as he was in those years, sick with deferred hope as he must have been, he had in fact laid the foundation-stones of the authority and fame he was soon to enjoy as the Editor of Shakespeare and above all as "Dictionary Johnson." Now at last he began to do work worthier of his powers. The "Plan for a Dictionary of the English Language" was published in 1747 and in the same year he wrote the admirable Prologue for the opening of Drury Lane Theatre, of which his pupil, David Garrick, more fortunate than the master with whom he had come to London, was now become manager.
Two years later Garrick produced the long-delayed tragedy of Irene. It is not a great drama, as Johnson well knew, at least in his later years. There is a story of his being told that a certain Mr. Pot called it "the finest tragedy of modern times," to which his only reply was, "If Pot says so, Pot lies." But this hardly has the genuine ring about it. Even Garrick's talent and friendship could not make Irene a success, but the performance brought Johnson a little welcome profit and enabled him to sell the book to Dodsley for a hundred pounds. In the same year, 1749, a more lasting evidence of his poetic powers was given {99} by the appearance of The Vanity of Human Wishes, another Juvenalian imitation, but freer and bolder than the first. From 1750 to 1752 he was writing The Rambler, a sort of newspaper essay which appeared every Tuesday and Friday. He wrote it almost entirely himself, and almost always at the last moment, when the printer was calling for it. No one will now wonder that it never had a large circulation as a periodical, for it usually exhibits him at his gravest, and many of the essays are scarcely distinguishable from sermons. But that age had grave tastes and few temptations to intellectual frivolity. We have seen that the idlest sort of reading Johnson could think of for a boy was "voyages and travels"; novels he does not mention, indeed there were then very few of them; plays he rather strangely ignores: newspapers, as we now know them and suffer by them, he of course could not so much as conceive. The Rambler had no sixpenny magazines of triviality, no sensational halfpenny papers, to compete with it, and it pursued an even course of modest success for its two years of life. The greatest pleasure it brought Johnson was the praise of his wife, who said to him, "I thought very well of you before; but I did not imagine you could have written anything equal to this." That was just the discovery a good {100} many people beside his wife were making about Johnson in those years: with the result that when The Rambler appeared as a book, it sold well and had gone through twelve editions by the time Boswell wrote its author's life.
Three years after the cessation of The Rambler and, unhappily, also three years after the death of his wife, with whom it would have been his chief happiness to share his success, the great Dictionary appeared. It may safely be said that no single Englishman has ever accomplished a literary task of such vast extent. The mere labour, one might say the mere dull drudgery, of collecting and arranging the materials of such a work is enormous. Nor could any literary labour bring with it greater temptations. Johnson's success is not more due to his learning and powers of mind than to the good sense which never failed him and the strong will which he could generally exert when he chose. He pleased himself at first, as he tells us in his Preface, "with a prospect of the hours which I should revel away in feasts of literature"; but that, of course, was where the danger lay. A man of an equally strong love of literature and a weaker will would have allowed himself to be swept away by the indulgence of curiosity, and the luxury of desultory reading; but Johnson soon saw {101} that these visions of intellectual pleasure were "the dreams of a poet doomed at last to wake a lexicographer"; and that, if he was to do the thing he had undertaken to do, he must set stern limits, not only to the pleasures of study, but also to the delusive quest of unattainable perfection, which is the constant parent of futility. He realized, as so many men of letters have failed to realize, that "to deliberate whenever I doubted, to inquire whenever I was ignorant, would have protracted the undertaking without end and perhaps without much improvement"; and instead of attempting the impossible and achieving nothing, he was wise enough and modest enough, by attempting only the attainable, to place himself in a position to achieve all that he attempted.
The praise he deserved was somewhat slow in coming, as is commonly the case with the greatest literary achievements. But though, as he sadly says in the last words of his great Preface, most of those whom he wished to please had sunk into the grave, and he had therefore little to hope or fear from praise or censure, yet he was always and before all things a human being, and only a creature above or below humanity could have been insensible to the pleasure of the new fame, the new authority and the new friends which his {102} Dictionary gradually brought him. Before many years had passed the "harmless drudge," as he himself had defined a lexicographer, had become the acknowledged law-giver and dictator of English letters; he had gathered round him a society of the finest minds of that generation, he had received a public pension which secured his independence, he had begun the long friendship which gave him a second home for more than fifteen years. These things did not all come at once—he did not know the Thrales till 1764 or 1765—but the true turning-point in his career is the publication of his Dictionary. He was still poor for some years after that, and still much occupied in the production of hack-work: but he was never again obscure and was soon to be famous. Within a year after the appearance of the Dictionary he had issued his Proposals for an Edition of Shakespeare, the second in time and perhaps in importance of his three great works. His new position secured him a good number of subscribers and he intended to publish it the next year, 1757; but the interruptions of indolence, business and pleasure, as he himself says of Pope, usually disappoint the sanguine expectations of authors, and the book did not in fact appear till 1765.
Neither Shakespeare nor idleness had {103} occupied the whole of the intervening years. From 1758 to 1760 he produced a weekly paper called The Idler, of the same character as The Rambler. In 1759 he wrote his once famous story Rasselas to pay the expenses of his mother's funeral. It was written in the evenings of a single week. Good judges thought that, if he had known how to make a bargain, he ought to have received as much as four hundred pounds for this book, which was translated into most of the European languages; but he did not in fact receive more than a hundred pounds for the first and twenty-five for the second edition. By this time he could visit Oxford, from which University he had received the degree of M.A. when his Dictionary was on the eve of publication: and another sign of the position he was beginning to occupy is that we find Smollet writing of him in 1759 as the "great Cham of literature." More substantial evidences followed in 1762 when George III was advised by Bute to grant him a pension of 300 pounds a year, an income which must have seemed boundless affluence to a man who had never known a time when five pounds was not an important sum to him.
Next year came the event which was even more important to his fame than the receipt of the pension was to his comfort. In 1763 {104} he met Boswell for the first time. Fortune now began to smile upon him in good earnest and evidences of his established position and prosperity follow each other in rapid succession. "The Club" (its proper and still existing name, though Boswell occasionally calls it The Literary Club) was founded in 1764 and provided him for the rest of his life with an ideal theatre for the display of his amazing powers of talk, though it appears that he was not in his later years a very regular attendant. The next year, 1765, was probably the year in which he first met Thrale, the great brewer, and his clever and ambitious wife. No event contributed so much to the happiness of his after years. Thrale was a man of character and understanding, and was not without scholarly tastes. He at once saw the value of such a friend as Johnson, lived in the closest intimacy with him for the rest of his days, and named him executor in his will, which gave Johnson an opportunity such as he always liked, of mixing in business, and incidentally also, of saying the best thing that ever was said at the sale of a brewery. He appeared at the auction, according to the story told by Lord Lucan, "bustling about with an inkhorn and pen in his button-hole, like an excise-man; and, on being asked what he really considered to be the value of the {105} property, answered, 'We are not here to sell a parcel of boilers and vats, but the potentiality of growing rich beyond the dreams of avarice.'" The brewery was sold for 135,000 pounds to Mr. Barclay, the founder of the present firm of Barclay & Perkins, who now put Johnson's head on the labels of their beer bottles. But it was not so much on the silent and busy Thrale himself as on his wife, a quick and clever woman fond of literary society, that the visible burden, honour and pleasure of the long friendship with Johnson fell. Till the breach caused by her second marriage just before he died no one had so much of his society as Mrs. Thrale. She soon became "my mistress" to him, an adaptation of his from the "my master" which was her phrase for her husband. And for him, too, Thrale was "my master." A somewhat masterful servant, no doubt, to them both, but he loved them sincerely and was deeply grateful for their kindness. He lived at their house at Streatham as much as he liked, and had his own room reserved for him both there and at their London house. At Streatham he sometimes remained for several months, and it is chiefly there that Boswell's only rival, Fanny Burney, saw him. It may be said that the Thrales' house was more of a home to him than anything else he ever knew: it was at {106} least the only house since his childhood in which he ever lived with children. There in the garden or in the library he studied and idled and talked at his ease; there many of his friends gathered round him; there his wishes were anticipated and his words listened to, sometimes with fear, sometimes with amusement, sometimes with reverence, always with affection and almost always with admiration. Well might he write to Mrs. Thrale as he did in October 1777: "I cannot but think on your kindness and my master's. Life has upon the whole fallen short, very short, of my early expectation; but the acquisition of such a friendship, at an age when new friendships are seldom acquired, is something better than the general course of things gives man a right to expect. I think on it with great delight. I am not very apt to be delighted."