Browning and Tennyson loomed above all the other poets of their day, and their comparative merits were a fertile source of argument even then. Both men were, however, too large to be affected by such considerations, and their relations were always of the most cordial nature.
Browning is deeply analytic, a trait perhaps derived from his German ancestors along with his peculiarities of syntax and vocabulary and his obscurity of expression. The latter characteristic has largely discouraged the general public, so that the reading of Browning is limited to people with a literary turn. His poetry is, however, well worth the reading. He is by far the deepest poet of the nineteenth century. He leaves environment to lesser poets and concentrates all his energies upon man himself, his passions and emotions. His nature is essentially dramatic, and had he devoted himself strictly to drama, instead of lyric verse, he doubtless would have been far more appreciated by the public. His poetic monologues, such as "Andrea del Sarto," "Confessions," and "Prospice," dramatic in nature, are rather hampered and confusing because of their form.
THE MAN
1. In what place was Robert Browning born?
2. Account for his musical and poetic proclivities.
3. What incident led to his union with Elizabeth Barrett Browning?
4. Florence has what connection with the lives of the Brownings?
5. Describe Browning's life after the death of his wife.
6. Give a description of his general appearance.
7. What personal relations did Browning and Tennyson sustain toward one another?