An American at Oxford

by John Corbin

During your first perilous lessons in punting, you will probably be in apprehension of ducking your mentor, who is lounging among the cushions in the bow. But you cannot upset the punt any more than you can discompose the Englishman; the punt simply upsets you without seeming to be aware of it. And when you crawl dripping up the bank, consoled only by the fact that the Humane Society man was not at hand with his boat-hook to pull you out by the seat of the trousers, your mentor will gravely explain how you made your mistake. Instead of bracing your feet firmly on the bottom and pushing with the pole, you were leaning on the pole and pushing with your feet. When the pole stuck in the clay bottom, of course it pulled you out of the boat.

Steering is a matter of long practice. When you want to throw the bow to the left, you have only to pry the stern over to the right as you are pulling the pole out of the water. To throw the bow to the right, ground the pole a foot or so wide of the boat, and then lean over and pull the boat up to it. That is not so easy, but you will learn the wrist motion in time. When all this comes like second nature, you will feel that you have become a part of the punt, or rather that the punt has taken life and become a part of you.

A RACING PUNT AND PUNTER

A particular beauty of punting is that, more than any other sport, it brings you into personal contact, so to speak, with the landscape. In a few days you will know every inch of the bottom of the Char, some of it perhaps by more intimate experience than you desire. Over there, on the outer curve of the bend, the longest pole will not touch bottom. Fight shy of that place. Just beyond here, in the narrows, the water is so shallow that you can get the whole length of your body into every sweep. As for the shrubbery on the bank, you will soon learn these hawthorns, if only to avoid barging into them. And the Magdalen chestnut, which spreads its shade so beautifully above the water just beyond, becomes quite familiar when its low-reaching branches have once caught the top of your pole and torn it from your hands.

The slackers you see tied up to the bank on both sides of the Char are always here after luncheon. An hour later their craft will be as thick as money-bugs on the water, and the joys of the slackers will be at height. You won't, as a rule, detect happiness in their faces, but it is always obvious in the name of the craft. One man calls his canoe "Vix Satis," which is the mark the university examining board uses to signify that a man's examination paper is a failure. Another has "P.T.O." on his bows—the "Please Turn Over" which an Englishman places at the bottom of a card where we say "Over." Still another calls his canoe the "Non-conformist Conscience"—which, as you are expected to remark, is very easily upset. All this makes the slacker even happier than if he were so un-English as to smile his pleasure, for he has a joke ready-made on his bow, where there is no risk of any one's not seeing it.

These pollard willows that line the bank are not expected to delight your eye at first sight, but as you see them day after day, they grow on you like the beauty of the bull-terrier pup that looks at you over the gunwale of the boat tied beneath them. They have been topped to make their roots strike deeper and wider into the soil, so that when the freshets come in the spring the banks will stand firm. The idea came some centuries ago from Holland, but has been so thoroughly Englished that the university, and, indeed, all England, would scarcely be itself without its pollard willows. And though the trees are not in themselves graceful, they make a large part of the beauty of the river scenery. The sun is never so golden as up there among their quivering leaves, and no shadow is so deep as that in the water at their feet.

The bar of foam ahead of us is the overflow from the lasher—that is to say, from the still water above the weir. The word "lasher" is obsolete almost everywhere else in England, and even to the Oxford mind it describes the lashing overflow rather than the lache or slack water above. When we "shoot the lasher," as the phrase goes, you will get a hint as to why the obsolete term still clings to this weir. Those fellows beyond who have tied up three deep to the bank are waiting to see us get ducked; but it is just as easy to shoot the lasher as to upset in it; and with that swarm of slackers watching, it makes a difference which you do. We have only to get up a fair pace and run into it on a diagonal. The lashing torrent will catch our bows, but we shall be half over before it sweeps them quite around; and then it will catch the stern in turn, and whirl the bow back into the proper direction. A sudden lurching of the bow, the roaring of a torrent beneath, a dash of spray—and we are in still water again.

In order to reach the inn at Marston by four we must pole on. If we were true slackers, to be sure, we should have brought a spirit lamp and a basket of tea, and tied up in the first convenient nook on the bank; but these are heights of slacking to which the novice cannot aspire. Just beyond here we shall have to give the Thames Conservancy man threepence to roll the punt around a weir. If there were ladies with us, we should have to let them walk a quarter of a mile on shore, for just above is Parson's Pleasure, the university bathing-hole; and these men, who would not let the Yale and the Cornell athletes appear in sleeveless "zephyrs," plunge into a frequented waterway without any zephyrs at all.