For a time Leake cheerfully obeyed; but soon—although his case was progressing most favourably—he had the bad taste to suggest that a recurrence to some of Cheyne's prescriptions would be advisable. Mead, of course, was not pleased with such folly, but continued his attendance till his patient's health was restored. Leake then went through the form of asking to what amount he was in the physician's debt.
"Sir," answered Mead, "I have never yet, in the whole course of my practice, taken or demanded the least fee from any clergyman; but, since you have been pleased, contrary to what I have met with in any other gentleman of your profession, to prescribe to me rather than follow my prescriptions, when you had committed the care of your recovery to my skill and trust, you must not take it amiss, nor will, I hope, think it unfair, if I demand ten guineas of you."
With much reluctance, and a wry face, Leake paid the money, but the doctor subsequently returned him more than half of it.
Of course Mead did not gain the prize of his profession without a few rough contests with competitors in the race of honour. Woodward, the Professor of Physic at the Gresham College, attacked him with bitterness in his "State of Physic and Diseases," and made himself even more obnoxious in his personal demeanour to him in public. Some insult offered to him by Woodward so infuriated Mead, that the latter drew his sword and ordered his adversary to defend himself. The duel terminated in Mead's favour, as far as martial prowess was concerned, for he disarmed Woodward and ordered him to beg for his life.
"Never, till I am your patient," answered Woodward, happily.
The memory of this Æsculapian battle is preserved in an engraving in Ward's "Lives of the Gresham Professors." The picture is a view of Gresham Street College, with a gateway entering from Broad Street, marked 25, within which Woodward is represented as kneeling and submissively yielding his sword to Mead. Ward was one of Mead's warmest friends, and certainly on this occasion displayed his friendship in a very graceful and effective manner.
The doctor would gladly have never had to deal with a more dangerous antagonist than Woodward; but the time came when he had to run for safety, and that too from a woman. He was in attendance by the bed-side of the Duke of Marlborough, who was suffering from indisposition, when her Grace—the celebrated Sarah—flew into a violent rage at some remark which the physician had dared to make. She even threatened him with personal chastisement, and was proceeding to carry out her menaces, when Mead, recognizing the peril of his position, turned and fled from the room. The duchess ran after him, and, pursuing him down the grand staircase, vowed she would pull off his wig, and dash it in his face. The doctor luckily was a better runner than her Grace, and escaped.
Envy is the shadow of success, and detraction is the echo of its voice. A host of pamphleteers, with just courage enough to print lies, to which they had not the spirit to affix their obscure names, hissed their malignity at the fortunate doctor. The members of the Faculty, accustomed though they are to the jealousies and animosities which are important undercurrents in every fraternity, would in these days scarcely credit the accounts which could be given of the coarseness and baseness of the anonymous rascals who lampooned Mead. It is painful to know that some of the worst offenders were themselves physicians. In 1722, appeared "The Art of getting into Practice in Physick, here at present in London. In a letter to that very ingenious and most learned Physician (Lately come to Town), Dr Timothy Vanbustle, M.D.—A.B.C.," the writer of this satire attributes to the dead Radcliffe the practices to which Hannes was accused of having resorted. "Thus the famous R——fe, 'tis said, on his first arrival, had half the porters in town employed to call for him at all the coffee-houses and public places, so that his name might be known." The sting of the publication, the authorship of which by a strange error has been attributed to Mead, is throughout directed at him. It is more than suggested that he, to creep up into practice, had associated in early life with "women, midwives, nurses, and apothecaries," and that he had interested motives for being very gentle "in taking fees of the clergy, of whatsoever sect or opinion." Here is a stab that the reader of the foregoing pages can appreciate: "As to Nostrums, I cannot much encourage you to trade in these if you would propose to get universal business; for though they may serve to make you known at first, particularly in such a way, yet it will not promote general business, but on the contrary. I rather therefore would advise you to court, flatter, and chime in with the chief in Play, and luckily a noted practitioner should drop, do you be as sure and ready to get into his house as he is into his coffin."
More scandal of this sort may be found in "An account of a Strange and Wonderful Dream. Dedicated to Doctor M——d," published 1719. It is insinuated in the dream that his Latin writings were not his own composition. The troubles of his domestic life are dragged before the public. "It unluckily happen'd that, just as Mulso discovered his wife's intrigues, his effects were seized on by his creditors, his chariot and horses were sold, and he himself reduced to the state of a foot-quack. In this condition he had continued to this day, had he not been retrieved from poverty and contempt by the recommendation of a physician of great note. Upon this he spruced up, looked gay, roll'd about in a chariot. At this time he fell ill of the scribendi cacoethes, and, by the help of two mathematicians and an usher, was delivered of a book in a learned language."
Mead did not long occupy Radcliffe's house in Bloomsbury Square. In 1719 he moved to the imposing residence in Ormond Street, to which in 1732 he added a gallery for the accommodation of his library and museum.