(5.) Mrs. Shelley says of this marriage, ‘the ceremony had taken place some time before the marriage was declared’ in April; leaving the reader to infer that three months elapsed between the performance and the publication of the ceremony. She is wrong. The marriage was announced to Godwin’s most intimate friends within a few days of the performance of the ceremony. Holcroft acknowledged on 6th April, 1797, the announcement made to him by Godwin of what had taken place at Old St. Pancras Church on 29th March, 1797.
(6.) Speaking of the secrecy of the marriage, Mrs. Shelley says, ‘This secrecy partly arose from a slight shrinking on Mr. Godwin’s part from avowing that he had acted in contradiction to his theories;’ readers being thereby led to infer that Godwin kept the marriage a secret from the beginning of the year till April, from reluctance to avow an act so inconsistent with his theories. Mrs. Shelley is wrong. Instead of postponing the announcement for three months from such a cause, her father announced the marriage within a few days of its solemnization.
(7.) Still writing as though what occurred on 29th March had taken place at the beginning of the year, Mrs. Shelley says,—
‘Another cause for the secrecy at first maintained was the stern law of poverty and necessity. My father narrowly circumscribed both his receipts and disbursements. The maintenance of a family had never been contemplated, and could not at once be provided for. My mother, accustomed to a life of struggle and poverty, was so beloved by her friends, that several, and Mr. Johnson in particular, had stood between her and any of the annoyances and mortifications of debt. But this must cease when she married.’
In other words, according to Mrs. Shelley, her father kept his marriage a secret from the beginning of the year till April, in order that he might derive advantage from money, given to Mary Wollstonecraft by Mr. Johnson and other friends, under the impression that she was a single woman with no husband to maintain her; which money they would not have given her, had they known of her marriage. This is what Mrs. Shelley says of William Godwin. What baseness for a daughter to attribute to her own father, and put on record against him! I wish I could say that nothing in Godwin’s life, till his powers languished under increasing embarrassments, countenances the opinion that he was capable of such baseness. Unfortunately, however, there is evidence that, whilst Mary Wollstonecraft was living in secret Free Love with him in The Polygon, he prevailed on Mr. T. Wedgewood to lend him a considerable sum of money, saying, when he asked for the loan, that he did not want it for himself, but for the use of another person. As this other person was Mary Wollstonecraft, and as a contract of Free Love was marriage in Godwin’s opinion, the money he wanted for her use was money borrowed for his own use. Why did he not tell Mr. Wedgewood outright that he wanted it for Mary Wollstonecraft? Because he thought it possible that some rumour of his arrangement with Mary had come to Mr. Wedgewood, in which case the benevolent manufacturer, instead of lending the money, would say, ‘No, you must support your own “bosom-friend.”’ Why did he not tell Mr. Wedgewood that he was living in Free Love with Mary? For much the same reason; from a fear that, instead of lending the money, Mr. Wedgewood would say, ‘No; for I see why you want the money, and I think you ought to keep your own wife.’ Wedgewood lent the money in ignorance of the purpose for which it was needed.
After the declaration of his marriage Godwin confessed that he had wanted the money for Mary Wollstonecraft, and at the same time begged for a further loan of 50l.; saying, as he made this confession and prayer for further help, ‘I trust you will not accuse me of duplicity in having told you that it was not for myself that I wanted your assistance.’ Though he complied with the petition for another 50l., Mr. Wedgewood cannot have acquitted his friend of duplicity in the former application. Hence it is certain that Godwin kept the Free Love contract a secret to one particular friend, lest by revealing it he should lessen his power to draw money from his own friend. It is, therefore, only too probable that he was guilty of the meanness attributed to him by his daughter, and also refrained from publishing the Free Love contract, lest the publication should lessen the readiness of Mary’s friends to give her money. But though he was influenced by pecuniary considerations in keeping his relations with Mary Wollstonecraft a secret, it none the less remains that Mrs. Shelley was wrong in representing that he was moved by such considerations to keep his lawful marriage secret from the beginning of the year till April. As we have said more than once the marriage of 29th March, 1797, was declared in the first week of April.
How are these inaccuracies to be regarded?—as mistakes arising wholly or chiefly from misconception? or as deliberate untruths? Let us fix our attention on the two first misstatements; the assertion that the marriage was solemnized at the beginning of the year and the assertion that the date of the marriage was unknown. Did Mrs. Shelley make these misstatements innocently? in ignorance of the truth, or with a knowledge of the truth? It is not easy to believe that Mrs. Shelley, a woman of letters, curious about her mother’s history, and in her later time engaged in biographical inquiries for the illustration of her husband’s life, her own career, her father’s life, and her mother’s story, omitted to ascertain a fact so easily discovered, as the date of her father’s marriage. If she knew the date, she had obvious motives for putting the ugly fact out of sight, under specious and delusive verbiage. In her later time the woman, who in girlhood had been strangely lawless and defiant of the world’s opinion, was chiefly desirous of clothing herself with respectability, of toning and colouring her story into accordance with the social condition of the family into which she had married. The woman who would fain have justified her husband’s life to the world, was only a few degrees less desirous of rendering her own story the same service. What more natural than for such a woman to wish to cover up the ugly fact, that she was born only five calendar months after her mother’s marriage? She could not tamper with the evidences of the date of her own birth. They were too numerous and too well known. But by pushing the date of her mother’s marriage some two or three months back, she would cause the world to think her the child of a premature birth, who had entered the world none too soon for her mother’s credit. By doing so, she may well have conceived herself discharging a filial duty, as well as a duty to herself and her husband’s respectable family. She must have wished to think of herself as differing, in this respect, altogether from her base-born sister Fanny, who committed suicide whilst still young. She must have shrunk from the thought that, had it not been for so late a marriage as the one which preceded her own birth by only five months, she would have resembled her sister Fanny in being a bastard. Hence, whilst it is not easy to think her ignorant of the real date of her mother’s marriage, her motive for wilfully misstating the case is obvious. Thus much on the assumption that the main inaccuracy was a deliberate untruth.
It is, however, just conceivable that she did not know the date of her mother’s marriage, and had a sincere belief that it occurred somewhere about the beginning of 1797. This belief may have been due to words spoken to her by Mrs. Gisborne, who, her friend in Italy, had been her mother’s friend in the previous century. She may even have gone to the St. Pancras registry, and paid fees to the registrar for searching for evidence of the marriage amongst the records of marriages, solemnized in the parish in the later months of 1796 and the first month of 1797. She may have taken some, though insufficient, pains to arrive at the evidence of the marriage, and imagined herself to have taken all possible pains, and come to the conclusion that she might honestly write of her mother’s marriage, ‘the precise date is unknown.’
Even so, though she would be innocent of wilful falsehood, she would remain guilty of writing positively on a mere assumption (a serious fault in an historian), and offering her readers as sure facts a series of inferences from a mere assumption, or a belief unsustained by positive testimony. Her narrative of her parents’ marriage, if not a tissue of untruths, would remain a thing made up of inaccuracies. It is important for readers to bear this in mind, whilst and after reading this book. Mrs. Shelley did not die without leaving much biographical material behind her in the shape of printed notes to her husband’s works, and also in the shape of MS. notes and memoranda for the use of future historians;—stuff that would have appeared in her justificatory Memoir of her husband, had not Sir Timothy checked her biographical zeal by the stern order, ‘Silence, or no allowance!’ But on being brought under critical scrutiny, all the passages, and bits, and scraps of her biographical sketches, at present before the world, are found so curiously inaccurate, that every one of her biographical statements should be read with nervous caution, lively suspicion, and watchful distrust, by those who would avoid error on matters of Shelleyan story.
I do not say she was an untruthful woman, though on some occasions she unquestionably rouses serious suspicion of her veracity. Like Lady Byron she enjoyed in her girlhood a reputation for sincerity of speech. But people often say things that are untrue without intending to be untruthful. It was often so with Mrs. Shelley, in some degree before her husband’s death, and in a greater degree after that event. An imaginative and highly emotional woman, she sometimes saw things in a wrong light. Not seldom, her mental vision was affected by the delusive media of sentimentality or anger, through which it regarded matters that stirred her feelings. In speaking of herself she was sometimes strongly influenced by romantic egotism. Affection and combativeness combined to render her an unreliable witness about matters touching her husband’s honour. Resembling Lady Byron in being a vehement and steady hater, she from her girlhood cordially disliked her step-mother and after loving her sister Claire with the romantic fervour described in the Real Lord Byron, came to detest her almost as cordially as Lady Byron, long after Byron’s death, detested her sister-in-law. All that she said or wrote to the discredit of her step-mother and sister-by-affinity should be received with extreme caution, and large allowance for her animosity against them.