The Doctor sighed. “I know it,” he observed mournfully, “I know it. The place will die out altogether in fifty years. It’s as bad as the sand-dunes with their sterile flora. Women who bear children are the only really sane people in the world.”
He ran his thumb, as he spoke, backwards and forwards over a little patch of vividly green moss that grew between the stones of the parapet. The air, crisp and autumnal with that vague scent of burning weeds in it which more than anything else suggests the outskirts of a small town at the end of the summer, flowed round them both with a mute appeal to her, so it seemed to Nance, to let all things drift as they might and submit to destiny. She looked at the Doctor dreamily in one of those queer intermissions of human consciousness in which we stand apart, as it were, from our own fate and listen to the flowing of the eternal tide.
A small poplar tree growing at the village end of the bridge had already lost some of its leaves and a few of these came drifting, one by one, along the raised stone pathway to the girl’s feet. Over the misty marsh lands in the other direction, she could see the low tower of the church. The gilded weather-vane on the top of it shimmered and glittered in a vaporous stream of sunlight that seemed to touch nothing else.
Dreamily she looked at the Doctor, too weary of the struggle of life to make an effort to leave him and yet quite hopeless as to his power to help her. Fingal Raughty continued to discourse upon the instinctive wisdom of maternity.
“Women who’ve had children,” he went on, “are the only people in the world who possess the open secret. They know what it is to find the ultimate virtue in exquisite resignation. They do not only submit to fate—they joyfully embrace it. I suppose we might maintain that they even ‘love it’—though I confess that that idea of ‘loving’ fate has always seemed to me weird and fantastic. But I laugh, and so do you, I expect, when our friends Sorio and Tassar talk in their absurd way about women. What do they know of women? They’ve only met, in all their lives (forgive me, Nance!) a parcel of silly young girls. They’ve no right to speak of life at all, the depraved children that they are! They are outside life, they’re ignorant of the essential mystery. Goethe was the fellow to understand these things, and you know the name he gives to the unutterable secret? The Mothers. That’s a good name, isn’t it? The Mothers! Listen, Nance! All the people in this place suffer from astigmatism and asymmetry. Those are the outward signs of their mental departure from the normal. And the clever ones among them are proud of it. You know the way they talk! They think abnormality is the only kind of beauty. Nance, my dear, to tell you the truth, I’m sick of them all. My idea of beauty is the perfect masculine type, such as you see it in that figure they call ‘the Theseus’—in the Elgin marbles—or the perfect feminine type as you see it in the great Demeter. Do you suppose they can, any of them, get round that? Do you suppose they can fight against the rhythm of Nature?”
He pulled out his tobacco pouch and gravely lit his pipe, swinging his head backwards and forwards as he did so. Nance could not help noticing the shrewd, humorous animalism of his look as he performed this function.
“But what can be done? Oh, Fingal, what can be done about Linda?” she asked with a heavy sigh.
He settled his pipe in his mouth and blew violently down its stem, causing a cloud of smoke to go up into the September air.
“Take her to Mrs. Renshaw,” he said solemnly. “That’s what I’ve been thinking all this time. That’s my conclusion. Take her to Mrs. Renshaw.”
Nance stared at him. “Really?” she murmured, “you really think she could help?”