Nance sat silent. In the depths of her heart she made a resolution. She would find some work to do here in Rodmoor. It was intolerable to be dependent on any one. Yes, she would find work, and, if need be, take Linda to live with her.

She felt now, though she would have found it hard to explain the obscure reason for it, more reluctant than ever to return to London. Every pulse of her body vibrated with a strange excitement. A reckless fighting spirit surged up within her. Not easily, not quickly, should her hold on the man she loved be loosed! But she felt danger on the horizon—nearer than the horizon. She felt it in her bones.

They had now reached the foot of Rachel’s garden and there was a general pause in order that Adrian might do justice to the heavy architecture of Dyke House, as it was called—that house which the Badger—to follow Doctor Raughty’s tale—had taken into his “noble” but “malformed” head to leave to his solitary descendant.

As they passed in one by one through the little dilapidated gate, Nance had a sudden inspiration. She seized her lover by the wrist. “Adrian,” she whispered, “has there been anything—any one—to remind you—of what—you saw—that morning?”

She could not but believe that he had heard her and caught her meaning, yet it was hard to assume it, for his tone was calm and natural as he answered her, apparently quite misunderstanding her words:

“The sea, you mean? Yes, I’ve heard it all night and all day. We’ll go down there this afternoon, and Linda with us.” He raised his voice. “You’ll come to the sea, Linda; eh, child? To the Rodmoor sea?”

The words died away over the river and across the fens. The others had already entered the house, but a laughing white face at one of the windows and the tapping of girlish hands on the closed pane seemed to indicate acquiescence in what he suggested.


III
SEA-DRIFT