“You hurt me,” she said calmly. “Let me go, Brand.” The self-contained tone of her voice seemed to quiet him and he released her. She raised one of her wrists to her mouth and softly caressed it with her lips.
“You’ll be interested, yourself, in these people before very long,” she murmured, flashing a mocking look at him over her bare arm. “The second girl is very young and very pretty. She confided in me that she was extremely afraid of the sea. She appealed to mother’s protective instincts at once. I’ve no doubt she’ll appeal to your—protective instincts! So don’t be too quick in your condemnation.”
“Damn you!” muttered her brother, pushing the gate open. “Come! Get in with you! You talk to me as if I were a professional rake. I take no interest—not the slightest—in your young innocents with their engaging terrors. To bed! To bed! To bed!”
He pushed her before him along the path, but Philippa knew well that the hand on her shoulder was lighter and less angry than the one that had held her a moment ago, and as she ascended the steps of Oakguard—the name borne by the Renshaw house since the days of the Conqueror—there flickered over her shadowy face the same equivocal smile of dubious meaning that had looked out at its owner, not so long since, from the mirror in her room.
When the dawn finally crept up, pallid and cold out of the North Sea and lifted, with a sort of mechanical weariness, the weight of the shadows, it was neither Brand nor Philippa who was awake.
Roused, as always, by the slightest approach of an unusual sound, the mother of that strange pair had lain in her bed listening ever since her daughter’s first emerging from the house.
Once she had risen, and had stood for a moment at the window, her loose grey hair mixed with the folds of an old, faded, dusky-coloured shawl. That, however, was when both of her children were away in the middle of the park and absolute silence prevailed. With this single exception she had remained listening, always silently listening, lying on her back and with an expression of tragic and harassed expectation in her great, hollow, brown eyes. She might have been taken, lying there alone in the big four-posted bed, surrounded by an immense litter of stored-up curios and mementoes, for a symbolic image of all that is condemned, as this mortal world goes round, to watch and wait and invoke the gods and cling fast to such pathetic relics and memorials as time consents to leave of the days that it has annihilated.
Slowly the dawn came up upon the trees and roofs of Oakguard. With a wan grey light it filled the pallid squares of the windows. With a livid grey light it made definite and ghastly every hollow and every wrinkle in that patient watcher’s face.
Travelling far up in the sky, a long line of marsh-fowl with outstretched necks sought the remoter solitudes of the fens. In the river marshes the sedge-birds uttered their harsh twitterings while, gathered in flocks above the sand-dunes, the sea-gulls screamed to the inflowing tide their hunger for its drifted refuse.
Wearily, at last, Helen Renshaw closed her eyes and it was the first streak of sunshine that Rodmoor had known for many days which, several hours later, kissed her white forehead—and the grey hairs that lay disordered across it—softly, gently, tenderly, as it might have kissed the forehead of the dead.