Thus the collector of "works of art"—a being divided from the real lover of art by an impassable gulf—derives no pleasure from the beauty of anything until it has become his, until he has hidden it away from all the rest of the world. Thus the lover of "nature," in his evil mood, derives no pleasure from the fitful magic of grass and bowers and trees, until he feels happy in the mad illusion that the very body of the earth, even to the centre of the planet, where these things grow, is his "private" property and is something fixed, permanent, static, unchanging. But all this desire for the eternally "static" is superficial and self-deceiving.
Analysed down to its very depth, what this evil possessive instinct desires is what all malice desires, namely the annihilation of life. Pretending to itself that it desires to hug to itself, in eternal immobility, the thing it loves, what in its secret essence it really desires is that thing's absolute annihilation. It wants to hug that thing so tightly to itself that the independence of the thing completely vanishes. It wants to destroy all separation between itself and the thing, and all liberty and freedom for the thing. It wants "to eat the thing up" and draw the thing into its own being.
Its evil desire can never find complete satisfaction until it has "killed the thing it loves" and buried it within its own identity. It is this evil possessive element in sexual love, whether of a man for a woman or a woman for a man, which is the real evil in the sexual passion. It is this possessive instinct in maternal love which is the evil element in the love of a mother for a child. Both these evil emotions tend to make war upon life.
The mother, in her secret sub-conscious passion, desires to draw back her infant into her womb, and restore it to its pre-natal physiological unity with herself. The lover in his secret evil sub-consciousness, desires to draw his beloved into ever-increasing unity with himself, until the separation between them is at an end and her identity is lost in his identity.
The final issue, therefore, of this evil instinct of possession, this evil instinct of private property, can never be anything else than death. Death is what the ultimate emotion of malice desires; and death is an actual result of the instinct of possession carried to an extreme limit.
The static immobility and complete "unchangeableness" which the possessive instinct pretends to itself is all it desires is really therefore nothing but a mask for its desire to destroy. The possessive instinct is, in its profoundest abyss, an amorist of death. What it secretly loves is the dead; for the dead alone can never defraud it of its satisfaction. Wherever love exercises its creative energy the possessive instinct relaxes its hold. Love expands and diffuses itself. Love projects itself and merges itself The creative impulse is always centrifugal. The indrawing movement, the centripetal movement, is a sign of the presence of that inert malice which would reduce all life to nothingness.
The creative energy of love issues inevitably in the idea of communism. The idea of communism implies the complete abolition of private property; because private property, whether it be property in persons or in things, is essentially evil, is indeed the natural expression of the primordial inert malice, in its hostility to life. Under any realization, in actual existence, of the idea of communism the creative energy finds itself free to expand and dilate. All that heavy clogging burden of "the personally possessed" being shaken off, the natural fresh shoots of living beauty rise to the surface like the new green growths of spring when the winter's rubble has been washed away by the rain.
The accursed system of private property, rooted in the abysmal malice of the human heart, lies like a dead weight upon every creative impulse. Everything is weighed and judged, everything is valued and measured, in relation to this.
Modern Law is the system of restriction by which we protect private property.
Modern religion is the system of compensation by which we soften the difference between inequalities in private property. Modern politics is the system of compromise by which public opinion registers its devotion to private property. Modern morality is the system of artificial inhibitions by which the human conscience is perverted into regarding private property as the supreme good.