The whole problem of the art of life may be said to lie in the question of co-ordination. The actual process of coordination is the supreme and eternal difficulty. Only at rare moments do we individually approximate to its achievement. Only once or twice, it may be, in a whole life-time, do we actually achieve it. But it is by the power and insight of such fortunate moments that we attain whatever measure of permanent illumination adds dignity and courage to our days.
We live by the memory of such moments. We live by the hope of their return. In the meanwhile our luck or our ill luck, as living human beings, depends on no outward events or circumstances but on our success in the conscious effort of approximation to what, when it does arrive, seems to take the grace and ease and inevitable beauty of a free gift of the gods.
This fortunate rhythm of the primordial energies of the complex vision may be felt and realized without being expressed in words. The curse of what we call "cleverness" is that it hastens to find facile and fluent expression for what cannot be easily and fluently expressed. Education is too frequently a mere affair of words, a superficial encouragement of superficial expression. It is for this reason that many totally uneducated persons achieve, unknown to all except their most intimate friends, a far closer approach to this difficult co-ordination than others who are not only well-educated but are regarded by the world as famous leaders of modern thought.
It will be remarked that in my list of the primordial energies of the complex vision I do not mention religion. This is not because I do not recognize the passionate and formidable role played by religion in the history of the human race, nor because I regard the "religious instinct" as a thing outgrown and done with. I have not included it because I cannot regard it as a distinct and separate attribute, in the sense in which reason, conscience, intuition and so forth, are distinct and separate attributes, of the complex vision.
I regard it as a name given in common usage to certain premature and disproportioned efforts at co-ordination among these attributes, and I am well content to apply the word "religion" to that sacred ecstasy, at once passionate and calm, at once personal and impersonal, which suffuses our being with an unutterable happiness when the energies of the complex vision are brought into focus. I regard the word religion as a word that has drawn and attracted to itself, in its descent down the stream of time, so rich and so intricate a cargo of human feelings that it has come to mean too many things to be any longer of specific value in a philosophical analysis.
Any sort of reaction against the primeval fear with which man contemplates the unknown, is religion. The passionate craving of human beings for a love which changes not nor passes away, is religion.
The desperate longing to find an idea, a principle, a truth, a "cause," for the sake of which we can sacrifice our personal pleasure and our personal selfishness, is religion.
The craving for some unity, some synthesis, some universal meaning in the system of things, is religion. The desire for an "over-life" or an "over-world," in which the distress, disorder, misunderstandings and cruelties of our present existence are redeemed, is religion.
The desire to find something real and eternal behind the transient flow of appearance, is religion. The desire to force upon others by violence, by trickery, by fire, by sword, by persecution, by magic, by persuasion, by eloquence, by martyrdom, an idea which is more important to us than life itself, is religion.
It will be seen from this brief survey of the immense field which the word "religion" has come to cover, that I am justified in regarding it rather as a name given to the emotional thrill and ecstatic abandonment which accompanies any sort of co-ordination of the attributes of the complex vision, proportioned or disproportioned, than as a distinct and separate attribute in itself.