This sceptical dogma of "evasiveness" is generally found in alliance with some vague modern "religion" whose chief object is to strip the world of the dignity of its real tragedy and endow it with the indignity of some pretended assurance. This is the role of that superficial optimism so inherently repugnant to the aesthetic sense.

Such apologists for a shallow and ignoble idealism are in the habit of declaring that "the tendency of modern thought" is to render "materialism" unthinkable; but when these people speak of materialism they are thinking of the austere limits of that vast objective spectacle into which we are all born. This spectacle is indeed mysterious. It is indeed staggering and awful. But it is irrevocably there. And no vague talk about the "evasiveness" and "over-brimmingness" of life can alter one jot or tittle of its eternal outlines.

From the sublime terror of this extraordinary drama such persons are anxious to escape, because the iron of it has entered into their souls. They do not see that the only "escape" offered by the reality of things is a change of attitude towards this spectacle, not an assertion that the form of this spectacle is unfixed and wavering. No psychological or mathematical speculation has the power to alter the essential outlines of this spectacle.

If such speculations could alter it, then the aesthetic sense of humanity would be driven to transform itself; and a new aesthetic sense, adapted to this new "evasiveness of life," would have to take its place. Attempts are indeed being made at this very hour to "start fresh" with a new aesthetic sense and only the winnowing process of time and the pressure of personal experience can refute such attempts. Meanwhile all we can do is to note the rejection of such attempts by the verdict of the complex vision; a rejection which indicates that if such attempts are to be successful they must imply the substitution of a new complex vision for the one which humanity has used since the beginning.

In other words they must imply a radical change in the basic attributes of human nature. Humanity, to justify them, must become some sort of super-humanity; and a new world inhabited by a new race must take the place of the world we know. Such an attempt to substitute a new humanity for the old is already conscious of itself in those curious experiments of psychical research which are based upon the hypothesis that some completely new organs of sense are on the point of being discovered. Philosophers who believe in the inherent unchangeableness of our present instrument of research—the complex vision as it now exists—can only look on at these experiments with an attitude of critical detachment; and wait until time and experience have justified or refuted them.

Philosophers who believe in the unchangeableness of the complex vision are bound to recognize that the human will, which is a basic attribute of this vision, must in any case play a considerable part in the creation of the future. But from their point of view the will is, after all, only one of these basic attributes. There is also the aesthetic sense. And the aesthetic sense is totally averse to this new kind of humanity and this new kind of world. The eternal vision of those invisible "sons of the universe," the proof of whose existence is a deduction from the encounters of all actual souls with one another, would seem to be entirely irreconcilable with any new complex vision whose nature had been completely changed.

The visible spectacle of the world with its implied "eternal arbiters" would be transmuted and transfigured by such an upheaval. For as long as the human will, as we know it now, remains in association with the aesthetic sense as we know it now, the creation of the future—however yielding and indetermined—must depend upon the form, the shape, the principle, the prophecy, the premonition, existing from the beginning in the nature of things. And it is precisely this shape, this form, this principle, this hope, this dream, this essential motive of those sons of the universe whose existence is implied "when two and three are gathered together," which would be destroyed and annihilated, if the complex vision were transformed into something else and a new world took the place of the old.

It is the existence of these real "immortals" confronting this real universe which makes possible the feeling we have that in spite of all our differences, some accumulated stream of beauty, truth and goodness, does actually carry the past forward into the future, does actually create the future according to a premonition and a hope which have been there from the beginning.

This is the supreme act of faith of the complex vision. This is the supreme act of faith which saves us at once from our subjective isolation and from the will towards the acceptance of a premature "religion." This is what saves us from any psychological or mathematical or logical speculation, which would contradict this hope or destroy the reality of the universe from which this hope emerges.

When we come to a general consideration of the various attributes of the complex vision we are struck at once by the appalling power they each have, when not held in check, of cancelling one another's contribution. It is for this reason that my newly-coined word was unavoidable if we are to emphasize the synthetic energy of the complex vision when it exercises its control over these diverse attributes and resists their constant tendency to cancel one another. It was precisely to emphasize this synthetic energy of the soul that I have made use of the arbitrary expression "apex-thought." For if we think of these various attributes as shooting forth like flames from the arrowhead of the individual soul, we must think of this coordinating energy as the power which continually draws these flames together when they deviate from their focussed intensity, and continually restores, from its inharmonious dispersion, the concentration of their arrows' point. If we are permitted to use this image of a horizontal pyramid of flames it will be seen how important a part is played by this apex-thought in concentrating the energies of the complex vision so that it can "drive" or "burn" or "pierce" its way into the surrounding mystery.