The forms and shapes of stars and plants and rivers and hills are all realized and consummated in the form and shape of the human body. The magic of the elements, the mystery of earth and air and water and fire, are incarnated in this miracle of flesh and blood. In the countenance of a human child, in the countenance of a man or a woman, the whole unfathomable drama of life is expressed. The most evil of the children of men, asleep or dead, has in his face something more tragic and more beautiful than all the waters and all the land.

Not to "love" flesh and blood, not to will the eternal existence of flesh and blood, is not to know "love" at all. To loathe flesh and blood, to will the annihilation of flesh and blood, is to be a victim of that original "motiveless malignity" which opposes itself to the creative force.

This insistence upon "the eternal idea of the body" does not necessarily limit "the idea of the body" to the idea of the human body; but practically it does so. And it practically does so because the human body evidently incarnates the beauty and the nobility of all other forms and shapes and appearances which make up our existing universe.

There may be other and different bodies in the unfathomable spaces of the world; but for those among us who are content to deal with the actual experiences which we have, the human body, summing up the magical qualities of all other terrestrial forms and shapes, must, as far as we are concerned, remain our permanent standard of truth and beauty.

The substitution in art, in philosophy, and in religion, of other symbols, for this natural and eternal symbol of the human body is always a sign of a weakening of the creative impulse. It is a sign of a relative disintegration of the power of "love" and a relative concentration of the power of "malice." Thus when, by an abuse of the metaphysical reason, "thought-in-the-abstract" assumes the rights of a personality the principle of love is outraged, because the eternal idea of the body is denied.

And when, by an abuse of the psychological reason, the other activities of the soul are so stressed and emphasized that the attribute of sensation is forgotten, the principle of love is outraged, because the eternal idea of the body is denied. The principle of love, by the necessity of its own nature, demands that the physiological aspect of reality should retain its validity.

When, therefore, we come to consider the relation of this "eternal idea of the body" to those invisible "sons of the universe" whose power of love is inconceivably greater than our own, we are compelled, by the necessity of the complex vision, to encounter one of those ultimate dilemmas from which there appears to be no escape. The dilemma to which we are thus led may be defined in the following manner.

Because the secret of the universe and the ultimate harmony between the pre-existent ideas by which all souls must live can be nothing less than what, in this rarified and heightened sense, we have named "love" and because the objective pattern and standard of this love is the creative energy of those personal souls we have named "the sons of the universe," therefore "the sons of the universe" must be regarded as directing their desire and their will towards what satisfies the inherent nature of such love. And because the inherent nature of such love demands nothing less than the eternalizing of the idea of flesh and blood, therefore the "sons of the universe" must be regarded as directing their desire and their will towards the eternalizing of the idea of flesh and blood.

And just as the will and desire of these "invisible companions of men" must be regarded as directed towards the eternalizing of this idea whose magical "stuff of dreams" is one of the objects of their love, so the will and desire of all living souls must be directed towards the eternalizing of this same reality. And because the love of all living souls remains restless and unsatisfied when directed to any object except the "eternal vision" and because when directed to the "eternal vision" such love loses the misery of its craving and becomes satisfied, therefore the "eternal vision" must be regarded as the only object which can ultimately and really satisfy the eternal restlessness of the love of all living souls.

But the inherent nature of love demands, as we have seen, the permanent reality of the physiological aspect of the universe. That is to say, the inherent desire of the love of all living souls is directed towards the eternalizing of the idea of flesh and blood. From this it follows that since the "eternal vision" satisfies the desire of love "the eternal vision" must include within it the eternal idea of the body.