The Complex Vision

by John Cowper Powys

For man's aesthetic sense seems in some strange way to be in league with a certain inveterate tragedy in things, which no facile optimism can ever cajole or melt.

That the gods are aware of our existence can hardly be doubted. That they feel pity for us, in this or that significant hour, can easily be imagined. That the evil in us draws towards us what is evil in them seems likewise a not unnatural possibility. That the love in us draws towards us the love in them is a thing in complete accordance with our own relation to forms of life lower than ourselves. That even at certain moments the gods may, by a kind of celestial vampirizing, use the bodily senses of men to "fill out," as it were, what is lacking in their own materiality, is a conceivable speculation.

But it is not in any definite relation between the individual soul of man and the individual soul of any one of the immortals that our hope lies. If this were all that we could look for, our condition would be as miserable as the condition of those unhappy ones who seek intermittent and fantastic relief in attempted intercourse with the psychic and the occult.

Our hope lies in that immemorial and traditional human gesture which has, in the unique figure of Christ, gathered up and focused, as it were, all the vague and floating intimations of super-human sympathy, all the shadowy rumours and intimations of super-human help, which move to and fro in the background of our apprehension.

The figure of Christ has thus become something more than a mere name arbitrarily given by us to some nameless god. The figure of Christ has become a symbol, an intermediary, a kind of cosmic high-priest, standing between all that is mortal and all that is immortal in the world, and by means of the love and pity that is in him partaking of the nature of every living thing.

When, therefore, out of the bitterness of our fate we cry aloud upon the Unknown, the answer to our cry comes from the heart of Christ. In other words it comes from the epitome and personification of all the love in the universe. For to the figure of Christ has been brought, down the long ages of the world, all the baffled, thwarted, broken, unsatisfied love in every soul that has ever lived. It is in the heart of Christ that all the nameless sorrows and miseries, of the innumerable lives that Nature gives birth to, are stored up and remembered. Not one single pang, felt by plant or animal or bird or fish or man or planet, but is embalmed for ever in that mysterious store-house of the universal pity. Thus, if there were no other superhuman Beings in the world and if apart from the creative energy of all souls Christ would never have existed, as it is now He does exist because He has been created by the creative power of all souls.

But while in one sense the figure of Christ is the supreme work of art of the world, the culminating achievement of the anonymous creative energy of all souls, the turning of the transitory into the eternal, of the mortal into the immortal, of the human into the divine; in another sense the figure of Christ is a real and living personality, the one personality among the gods, whose nature we may indeed assume that we understand and know.

How should we not understand it, when it has been in so large a measure created by our sorrow and our desire?

But the fact that the anonymous striving of humanity with the objective mystery has in a sense created the figure of Christ does not reduce the figure of Christ to a mere Ideal. As we have seen with regard to the primordial ideas of truth, beauty, and goodness, nothing can be an Ideal which has not already, in the eternal system of things, existed as a reality.

What we call the pursuit of truth, or the creation of truth, what we call the pursuit of beauty or the creation of beauty, is always a return to something which has been latent in the eternal nature of the system of things. In other words, in all creation there is a rediscovery, just as in all discovery there is creation.