She threw her arms round him. “I’ll do anything you like—anything,” she repeated, “if you’ll only let me love you!”
While this conversation was proceeding between these two, a not less interesting clash of divergent emotions was occurring between their friends. The Italian may easily be pardoned if she never for one second dreamed of the agitation in her companion’s mind that had so frightened Luke. James’ manner was in no way different from usual, and though he expressed his feelings in a more unreserved fashion than he had ever done before, Lacrima had been for many weeks expecting some such outbreak.
“Don’t be angry with me,” he was saying, as he strode by her side. “I had meant never to have told you of this. I had meant to let it die with me, without your ever knowing, but somehow—today—I could not help it.”
He had confessed to her point blank, and in simple, unbroken words, the secret of his heart, and Lacrima had for some moments walked along with head averted making no response.
It would not be true to say that this revelation surprised her. It would be completely untrue to say it offended her. It did not even enter her mind that it might have been kinder to have been less friendly, less responsive, than she had been, to this queer taciturn admirer. But circumstances had really given her very little choice in the matter. She had been, as it were, flung perforce upon his society, and she had accepted, as a providential qualification of her loneliness, the fact that he was attracted towards her rather than repelled by her.
It is quite possible that had he remained untouched by the evasive appeal of her timid grace; had he, for instance, remained a provocative and impenetrable mystery at her side, she might have been led to share his feelings. But, unluckily for poor Andersen, the very fact that his feelings had been disclosed only too clearly, militated hopelessly against such an event. He was no remote, shadowy, romantic possibility to her—a closed casket of wonders, difficult and dangerous to open. He was simply a passionate and assiduous lover. The fact that he could love her, lowered him a little in Lacrima’s esteem. True to her Pariah instincts she felt that such passion was a sign of weakness in him; and if she did not actually despise him for it, it materially lessened the interest she took in the workings of his mind. Maurice Quincunx drew her to him for the very reason that he was so sexless, so cold, so wayward, so full of whimsical caprices. Maurice, a Pariah himself, excited at the same time her maternal tenderness and her imaginative affection. If she did not feel the passion for him that she might have felt for Andersen, had Andersen remained inaccessible; that was only because there was something in Maurice’s peculiar egoism which chilled such feelings at their root.
Another almost equally effective cause of her lack of response to the stone-carver’s emotion was the cynical and world-deep weariness that had fallen upon her, since this dreadful marriage with Goring had become a settled event. Face to face with this, she felt as though nothing mattered very much, and as though any feeling she herself might excite in another person must needs be like the passing of a shadow across a mirror—something vague, unreal, insubstantial—something removed to a remote distance, like the voice of a person at the end of a long tunnel, or as the dream of someone who is himself a figure in a dream. If anyone, she felt, broke into the enchanted circle that surrounded her, it was as if they sought to make overtures to a person dead and buried.
It was almost with the coldness and detachment of the dead that she now answered him, and her voice went sighing across the wet fields with a desolation that would have struck a more normal mind than Andersen’s as the incarnation of tragedy. He was himself, however, strung up to such a tragic note, that the despair in her tone affected him less than it would have affected another.
“I have come to feel,” said she, “that I have no heart, and I feel as though this country of yours had no heart. It ought to be always cloudy and dark in this place. Sunshine here is a kind of bitter mockery.”