Dangelis made no reply to this and they paced in silence under the tall exotic cedars until they reached the house.

“There’s mother!” cried the girl, pushing open the door that led into the kitchen premises, and pulling the American unceremoniously in after her. They found Mrs. Romer before a large oak table, set in the mullioned window of the housekeeper’s little room. She was arranging flowers for the evening’s dinner-table. The plump lady welcomed Dangelis effusively and made him sit down upon a Queen Anne settle of polished mahogany which stood in the corner of the fire-place. Gladys remained standing, a tall softly-moulded figure, appealingly girlish in her light muslin frock. She swayed slightly, backwards and forwards, pouting capriciously at her mother’s naive discourse, and loosening her belt with both her hands.

“Why should you ever go back to America?” Mrs. Romer was saying. “Don’t go, dear Mr. Dangelis. Stay with us here till the end of the summer. The Red room in the south passage was getting quite damp before you came. Please, don’t go! Gladys and I are getting so fond of you, so used to your ways and all that. Aren’t we Gladys? Why should you go? There are plenty of lovely bits of scenery about here. And you can have a studio built! Yes! Why not? Couldn’t he, Gladys? The lumber-room in the south passage—opposite where Lily sleeps—would make a splendid place for painting in hot weather. I suppose a north light, though, would be impossible. But some kind of glass arrangement might be made. I must talk to Mortimer about it. I suppose you rich Americans think nothing of calling in builders and putting up studios. I suppose you do it everywhere. America must be full of north light. But perhaps something of the kind could be done. I really don’t understand architecture, but Mortimer does. Mortimer understands everything. I daresay it wouldn’t be very expensive. It would only mean buying the glass.”

The admirable woman, whose large fair face and double chin had grown quite creased and shiny with excitement, turned at last to her daughter who had been coquettishly and dreamily staring at the smiling artist.

“Why don’t you say something, Gladys? You don’t want Mr. Dangelis to go, any more than I do, do you?”

The girl moved to the table and picking up a large peony stuck it wantonly and capriciously into her dress. “I have my confirmation lesson tonight,” she said. “I must be at Mr. Clavering’s by six. What’s the time now?” She looked at the clock on the mantelpiece. “Why, it’s nearly half-past four! I wonder where Lacrima is. Never mind! We must have tea without her. I’m sure Mr. Dangelis is dying for tea. Let’s have it out on the terrace.”

“At six?” repeated Mrs. Romer. “I thought the class was always at seven. It was given out to be seven. I heard the notice on Sunday.”

Gladys looked smilingly at the American as she answered her mother. “Don’t be silly, dear. You know Mr. Clavering takes me separately from the others. The others are all village people.”

Mrs. Romer rose from her seat with something between a sigh and a chuckle. “I hadn’t the least idea,” she said, “that he took you separately. You’ve been going to these classes for three weeks and you’ve never mentioned such a thing until this moment. Well—never mind! I expect Mr. Dangelis will not object to strolling down the drive with you. You’d better both get ready for tea now. I’ll go and tell somebody we want it.”

She had no sooner departed than Gladys began flicking the American, in playful childish sport, with a spray of early roses. He entered willingly into the game, and a pleasant tussle ensued between them as he sought to snatch the flowers out of her hands. She resisted but he pushed her backwards, and held her imprisoned against the edge of the table, teasing her as if she were a romping child of twelve.