Photo: R. Webber, Boscastle]
ST. KNIGHTON’S KIEVE, TINTAGEL
[To face p. 184
The Kieve is a natural bowl into which the flashing cascade plunges from the rocks above. The water has worn its way through a narrow rocky crevice and drops through a natural bridge thickly overgrown with fern and moss. The dark Kieve receives the torrent, and the water spreads out again and dimples in the shallow bed, gliding smoothly and almost silently through the luxurious plantation. Now and then we catch its gleam among the lush foliage, and a mile or more beyond may be seen the deep blue of the sea into which it pours its tiny tribute. Below the edge of the Kieve is a flat slab, and the stream is broken as it shoots down; on one side is a bulging black rock which looks darker by contrast with the shining waters. The trees form a screen through which the light passes more dimly, and this secluded half-hidden spot is perceived to be a fitting scene for the stories it has inspired.
The Kieve as a place for complete retirement would, with many disadvantages, possess the one strong and desirable advantage of being difficult to discover without those written instructions as to the winding path which are now placed in the visitor’s hands. For, lying a mile or more beyond the beaten track, it can be found only after a confusing journey through the thick brush and weeds of the valley, over rudely constructed bridges, up steep and slippery embankments, and finally through the doorway which is kept closed and locked against all comers save those who have begun the search from the right and legal road.
If we were to adhere strictly to Malory’s narrative we should say that the quest for the Holy Grail began at Camelot. Local tradition, however, is privileged to depart from written records, and it happens that in this case the scene is transferred to this spot near King Arthur’s birthplace. We are asked to believe that the knights, standing with bowed heads in the Kieve, undertook the search for the Holy Vessel of the Last Supper, brought by Joseph of Arimathæa to this land, the Cup that had been hidden and lost, and was destined to be discovered only by the pure and perfect knight. The king, standing on the bridge of rock above the torrent, watched his reverent followers in the stream below laving their brows in its waters, listening to the music of the fall, and, full of the inspiration of the scene, making their solemn vows, and with a firm desire after righteousness setting forth upon the quest. Lancelot and Bors, Perceval and Galahad, when in the wild woods far distant or among the ruined chapelries, when tormented by doubts and wrestling with foes, might be expected to recall that cool and shady gathering-place, to see in a vision the flashing cascade, to dream of the crystalline brightness of the plunging water, and with renewed hope and courage to continue their hard task.
Some such sequestered place the poet of “Sir Galahad, a Christmas Mystery,” may have had in mind when he pictured the lonely knight struck with awe by hearing a voice which said that the great Quest would be achieved by him alone—
“Following