“They possessed the secret of fixing the dye of all colors, flesh-color, yellow, gray, blue, green, black, etc., so firmly in the thread, or in the cloth already woven, that they never faded during the lapse of ages, even when exposed to the air or buried (in tombs) under ground. Only the cotton became slightly discolored, while the woolen fabrics preserved their primitive lustre. It is a circumstance worth remarking that chemical analyses made of pieces of cloth of all the different dyes prove that the Peruvians extracted all their colors from the vegetable and none from the mineral kingdom. In fact, the natives of the Peruvian mountains now use plants unknown to Europeans, producing from them bright and lasting colors.”
They had great skill in the art of working metals, especially gold and silver. Besides these precious metals, they had copper, tin, lead, and quicksilver. Figures [65] and [66] show some of the implements used by the Peruvians. Iron was unknown to them in the time of the Incas, although some maintain that they had it in the previous ages, to which belong the ruins at Lake Titicaca. Iron ore was and still is very abundant in Peru. It is impossible to conceive how the Peruvians were able to cut and work stone in such a masterly way, or to construct their great roads and aqueducts without the use of iron tools. Some of the languages of the country, and perhaps all, had names for iron; in official Peruvian it was called quillay, and in the old Chilian tongue panilic. “It is remarkable,” observes Molina, “that iron, which has been thought unknown to the ancient Americans, has particular names in some of their tongues.” It is not easy to understand why they had names for this metal, if they never at any time had knowledge of the metal itself. In the Mercurio Peruano, tome i., p. 201, 1791, it is stated that, anciently, the Peruvian sovereigns “worked magnificent iron mines at Ancoriames, on the west shore of Lake Titicaca;” but I can not give the evidence used in support of this statement.
Their goldsmiths and silversmiths had attained very great proficiency. They could melt the metals in furnaces, cast them in moulds made of clay and gypsum, hammer their work with remarkable dexterity, inlay it, and solder it with great perfection. The gold and silver work of these artists was extremely abundant in the country at the time of the Conquest, but Spanish greed had it all melted for coinage. It was with articles of this gold-work that the Inca Atahuallpa filled a room in his vain endeavor to purchase release from captivity. One of the old chroniclers mentions “statuary, jars, vases, and every species of vessels, all of fine gold.” Describing one of the palaces, he said: “They had an artificial garden, the soil of which was made of small pieces of fine gold, and this was artificially sowed with different kinds of maize which were of gold, their stems, leaves, and ears. Besides this, they had more than twenty sheep (llamas), with their lambs, attended by shepherds, all made of gold.” This may be the same artificial garden which was mentioned by Francisco Lopez de Gomara, who places it on “an island near Puna.” Similar gardens of gold are mentioned by others. It is believed that a large quantity of Peruvian gold-work was thrown into Lake Titicaca to keep it from the Spanish robbers. In a description of one lot of golden articles sent to Spain in 1534 by Pizarro, there is mention of “four llamas, ten statues of women of full size, and a cistern of gold so curious that it incited the wonder of all.”
Nothing is more constantly mentioned by the old Spanish chroniclers than the vast abundance of gold in Peru. It was more common than any other metal. Temples and palaces were covered with it, and it was very beautifully wrought into ornaments, temple furniture, articles for household use, and imitations of almost every object in nature. In the course of twenty-five years after the Conquest, the Spaniards sent from Peru to Spain more than four hundred million ducats (800,000,000 dollars) worth of gold, all or nearly all of it having been taken from the subjugated Peruvians as “booty.”
Figures [67] and [68] show a golden and a silver vase, reduced from the actual size. Figures [69] and [70] represent various articles of pottery; all these illustrations are copies from articles taken from old Peruvian tombs.
Fig. 67.—Golden Vase. | Fig. 68.—Silver Vase. |