IV
Durand made a bold entrance, and Jules followed sheepishly. The room was small and uncarpeted; on one side stood a wardrobe and a table, and on the opposite wall hung a large mirror that reflected nearly the whole of the apartment. The rest of the furniture consisted of two wooden chairs and a large trunk. Jules did not realize that he had observed these details till afterward, for his glance was bent on the face of Mademoiselle Blanche, who stood beside the trunk, surveying her callers with apprehension in her big eyes. On one of the chairs sat a woman of fifty, tall and thin, with strands of flesh hanging at her neck, her eyes bright, her lips aglow with a false bloom, and her cheeks pallid with powder. Jules recognized her at once as the acrobat's mother, and he had a shock of surprise and revulsion.
The manager, after presenting the callers to Madame Perrault, and then to her daughter, excused himself with a flourish, and left the room. Madame Perrault was smiling and chattering at Durand, and Mademoiselle Blanche was flushed and confused.
"I think we must be the first of the Parisian journalists to interview Mademoiselle," said Durand to the mother, letting his eyes turn vaguely to the acrobat for information.
Madame Perrault gave a little jump, and glanced hastily at her daughter's face.
"Yes, you are," she replied. "We did have—that is, there was a gentleman of the press who wanted to interview Blanche, but she—she was a little timid about it. Blanche is very timid; so we—we put it off. But interviewers are very——Ah, you will sit down, will you not?" she said to Jules, who had remained standing with his eyes fixed on the girl.
Mademoiselle Blanche had taken a seat on the trunk, and her mother sat beside her so that Jules might occupy her chair. When they were all adjusted, Madame Perrault resumed, turning to Jules, whose embarrassment she had observed.
"Monsieur Réju told me yesterday interviews were so important. They make people interested. They——"