Before this appearance took place, however, there was a long wait caused by the preparations made for the great plunge. A thick rope was suspended from one of the beams that supported the roof of the building, and under it a net was spread. Then the half-dozen trapezes that had been tied to the walls, were loosened, and as they swung in the air and the band played, Mademoiselle Blanche, in white silk tights, with two long strips of white satin ribbon dangling from her throat, ran into the ring, and bowed in response to the applause of the crowd.

Jules Le Baron drew a long breath. The long supple limbs, the firm white arms and throat, the pale oval face, framed in dark hair that curled around the forehead, created a kind of beauty that seemed almost ethereal. The glamour of youth was over her, too; she could not be, at most, more than twenty. As she ran up the little rope ladder to the net and climbed hand over hand along the rope to one of the trapezes, Jules thought he had never seen such grace, such exquisite sureness of movement and agility. After reaching the trapeze, she sat there for a moment, smiling and rubbing her hands. Then she began to swing gently, and a moment later she shot through the air to another trapeze several feet away, and from that she passed on to the others with a bewildering swiftness.

Jules had never seen a woman perform alone on the trapeze before, and this exhibition of skill and resource fascinated him. The feats were nearly all new, and some of them of unusual difficulty. When the girl had finished her performance on the trapeze she returned to the rope, and began to pose on it, twisting it around her waist, and hanging suspended with her arms in the air. In this way she rolled gently down to the net.

The event of the evening was yet to come, however. After resting for a moment, Mademoiselle Blanche seized the rope again, and, hand over hand, she climbed to the top of the building; there she sat on a beam, so far from the audience that she seemed much smaller than she really was. The ring-master, a greasy-looking Frenchman in evening dress, appeared in the arena and commanded silence.

"Mademoiselle Blanche must have perfect quiet," he cried, "in order to perform her great feat. The least noise might disturb her, and cause her death."

Jules smiled at this speech; it was very clever, he thought. Of course, it was made merely to impress the audience. He wondered how Mademoiselle Blanche felt at that moment, perched up there so quietly, ready to hurl herself into the air. He did not have time to think much about this, for as he strained his eyes toward her, the signal for the fall was given, the white figure plunged backward, spun to earth, landed with a tremendous thump in the padded net, bounded into the air again, and Mademoiselle Blanche was bowing and kissing her fingers.

For a moment not a sound was heard. Then the audience burst into applause, and Jules Le Baron breathed. He felt as if his heart had stopped beating. He had never seen such a thrilling exhibition before. All his old delight in the circus had come back to him. As he walked out with the crowd, he congratulated himself on not having gone with Dufresne and Leroux. He would not have missed his evening for a dozen balls in Montmartre!

At the door he met Roger Durand, dramatic critic of the Jour. He had known Durand as a boy, and they had continued on a footing of half-hostile friendship.

"So you've come to see the new sensation?" said the journalist, as they shook hands.

"Just by chance," Jules replied. "I've never been more surprised in my life. Who is she?"