Murals in arch by Edward Simmons, of New York. On north wall, from left to right, True Hope and False Hope, Commerce, Inspiration, Truth, Religion, Wealth, Family; in background Asiatic and American cities. On south wall: historical types, nations that have crossed the Atlantic; from left to right, "Call to Fortune," listening to the past, the workman, the artist, the priest, Raleigh the adventurer, Columbus the discoverer, the savage of lost Atlantis, the Graeco-Roman, and the Spirit of Adventure sounding the call to fortune. In background, ancient and modern ships.
Arch of Setting Sun. Statues, frieze, spandrels, parapet, identical with
Arch of Rising Sun. Group on top, "The Nations of the West," designed by
Calder, executed in collaboration with Lentelli and Roth. American
figures grouped around prairie wagon, drawn by two oxen. Above wagon,
"Enterprise"; in front, "The Mother of Tomorrow," white boy on one side,
colored boy on other; south, a French-Canadian, an Alaskan woman, a
Spanish-American, a German; north, an Italian, British-American, squaw,
American Indian.
Quotations on Arch of Setting Sun, chosen by Garnett. Panels from left to right, facing court: "In Nature's infinite book of secrecy a little I can read," from "Antony and Cleopatra," by Shakespeare, the English poet;
"Facing west from California's shores,
Inquiring, tireless, seeking what is yet unfound,
I, a child, very old, over waves, toward the house of maternity, the land of migrations, look afar,
Look off the shores of my Western sea, the circle almost circled. from
"Leaves of Grass," by Walt Whitman the American poet; "Truth, witness
of the past, councillor of the present, guide of the future," from "Don
Quixote," by Cervantes, the Spanish novelist.
Murals in Arch of the Setting Sun, by Frank Vincent Du Mond of New York. "Westward March of Civilization," beginning on north and continuing on south wall. Four groups in north panel, from left to right, Emigrants setting out for the west; two workmen and a woman holding child; symbolic figure of the Call to Fortune; types of those who crossed the continent, the driver, the Preacher, the Pioneer, the Judge, the Schoolmistress, the children; youth bidding farewell to parents; in background, New England home and meeting place. South wall: four groups in panel, from left to right; two Spanish-American soldiers and captain with a Spanish priest, suggesting Mission period; symbolical figure "Spirit of Enlightenment"; types of immigrants, the Scientist, the Architect, the Writer Bret Harte, the Sculptor, the Painter William Keith, the Agriculturist, the Laborer, women and children; California welcoming the easterners, figures of California bear, farmer, miner, fruit pickers; orange tree, grain and fruit, symbols of state.
Classic groups at head of steps in front of arches leading down into gardens by Paul Manship, of New York. North side, "The Dancing Girls"; south, "Music and Art."
Star-figure, along upper edge of court, by Calder. Repeated ninety times. Contrast with angel in front of arches.
Lion's head, on cornice below star-figure, repeated around court.