The City of Domes : a walk with an architect about the courts and palaces of the Panama-Pacific International Exposition, with a discussion of its architecture, its sculpture, its mural decorations, its coloring and its lighting, preceded by a history of its growth

by John D. Barry

The Scout, by Cyrus E. Dallin.

Sea Lions, by Frederick G. R. Roth.

Court of Palms

Court of Palms, by Kelham; opposite Palace of Horticulture, between Palaces of Education and Liberal Arts. Italian Renaissance. Sunken garden.

Palaces at sides of court: to the west, Education; to the east, Liberal
Arts.

"The End of the Trail," equestrian statue at entrance, by James Earl
Fraser. Exhausted Indian, suggests destiny of the American Indian race.

Italian Towers, Byzantine influence, by Kelham. Both sides of entrance to court; identical. Simpler than towers at Court of Flowers, to cast.

Coloring of towers, by Jules Guerin. Walls frankly treated, not as stone, but as plaster, after Italian method. Blue checkered border, pink and blue diaper design; turquoise columns on little towers above, in harmony with domes and columns of Tower of Jewels.

Design on top, repeated four times at corners, from choragic monument of
Lysicrates, in Venice.

Sienna columns at entrances of towers. Effective contrast.