Garden-Craft Old and New

by John Dando Sedding

The "Systema Horticulturæ" of John Worlidge (1677) was, says Mr Hazlitt ("Gleanings in old Garden Literature," p. 40), apparently the earliest manual for the guidance of gardeners. It deals with technical matters, such as the treatment and virtue of different soils, the form of the ground, the structure of walls and fences, the erection of arbours, summer-houses, fountains, grottoes, obelisks, dials, &c.

"The Scots Gardener," by John Reid (1683) follows this, and is, says Mr Hazlitt, the parent-production in this class of literature. It is divided into two portions, of which the first is occupied by technical instructions for the choice of a site for a garden, the arrangement of beds and walks, &c.

Crispin de Passe's "Book of Beasts, Birds, Flowers, Fruits, &c.," published in London (1630), heralds the changes which set in with the introduction of the Dutch school of design.

To speak generally of the subject, it is with the art of Gardening as with Architecture, Literature, and Music—there is the Mediæval, the Elizabethan, the Jacobean, the Georgian types. Each and all are English, but English with a difference—with a declared tendency this way or that, which justifies classification, and illustrates the march of things in this changeful modern world.

The various types include the mediæval garden, the square garden, the knots and figures of Elizabethan times, with their occasional use of coloured earths and gravels; the pleach-work and intricate borders of James I.; the painted Dutch statues as at Ham House; the quaint canals, the winding gravel-walks, the formal geometrical figures; the quincunx and étoile of William and Mary; later on, the smooth, bare, and bald grounds of Kent, the photographic copyism of Nature by Brown, the garden-farm of Shenstone, and other phases of the "Landscape style" which served for the green grave of the old-fashioned English garden.

In the early years of George III. a reaction against tradition set in with so strong a current, that there remains scarcely any private garden in the United Kingdom which presents in all its parts a sample of the original design.

Levens, near Kendal, of which I give two illustrations, is probably the least spoiled of any remaining examples; and this was, it would seem, planned by a Frenchman, but worked out under the restraining influences of English taste. A picture on the staircase of the house, apparently Dutch, bears the inscription, "M. Beaumont, gardener to King James II. and Colonel James Grahme. He laid out the gardens at Hampton Court and at Levens." The gardener's house at the place is still called "Beaumont Hall." (See an admirable monograph upon "Col. James Grahme, of Levens," by Mr Joscelin Bagot, Kendal.)

One who is perhaps hardly in sympathy with the quaintness of the gardens, thus writes: "There along a wide extent of terraced walks and walls, eagles of holly and peacocks of yew still find with each returning summer their wings clipt and their talons; there a stately remnant of the old promenoirs such as the Frenchman taught our fathers,[26] rather I would say to build than plant—along which in days of old stalked the gentlemen with periwigs and swords, the ladies in hoops and furbelows—may still to this day be seen."

With the pictures of the gardens at Levens before us, with memories of Arley, of Brympton, of Wilton,[27] of Montacute, Rockingham, Penshurst, Severn End, Berkeley,[28] and Haddon, we may here pause a moment to count up and bewail our losses. Wolsey's garden at Hampton Court is now effaced, for the design of the existing grounds dates from William III. Nonsuch in Surrey, near Epsom race-course, is a mere memory. In old days this was a favourite resort of Queen Elizabeth; the garden was designed by her father, but the greater part carried out by the last of the Fitzalans. Evelyn, writing of Nonsuch, says: "There stand in the garden two handsome stone pyramids and the avenue planted with rows of fair elms, but the rest of these goodly trees, both of this and of Worcester adjoining, were felled by those destructive and avaricious rebels in the late war."

Theobalds, in Hertfordshire, had a noble garden; it was bought in 1564 by Cecil, and became the favourite haunt of the Stuarts, but the house was finally destroyed during the Commonwealth.