"Large or small," says Mr W. Morris, "the garden should look both orderly and rich. It should be well fenced from the outer world. It should by no means imitate either the wilfulness or the wildness of Nature, but should look like a thing never seen except near a house" ("Hopes and Fears").
The whole point of the matter is, however, perhaps best summed up in Hazlitt's remark, that there is a pleasure in Art which none but artists feel. And why this sudden respect for "the materials of our world-designer," when we may ask in Repton's words "why this art has been called Landscape-gardening, perhaps he who gave the title may explain. I see no reason, unless it be the efficacy which it has shown in destroying landscapes, in which indeed it is infallible!" But, setting aside the transparent shallowness of such a plea against the use of Art in a garden, it argues little for the scheme of effects to leave "nothing to impede the view of the house or its windows but a refreshing carpet of grass." To pitch your house down upon the grass with no architectural accessories about it, to link it to the soil, is to vulgarise it, to rob it of importance, to give it the look of a pastoral farm, green to the door-step. To bring Nature up to the windows of your house, with a scorn of art-sweetness, is not only to betray your own deadness to form, but to cause a sense of unexpected blankness in the visitor's mind on leaving the well-appointed interior of an English home. As the house is an Art-production, so is the garden that surrounds it, and there is no code of taste that I know of which would prove that Art is more reprehensible in the garden than in the house.
But to return. The old-fashioned country house had its terraces. These terraces are not mere narrow slopes of turf, such as now-a-days too often answer to the term, but they are of solid masonry with balustrades or open-work that give an agreeable variety of light and shade, and impart an air of importance and of altitude to the house that would be lacking if the terrace were not there.
PLAN OF ROSERY, WITH SUNDIAL.
The whole of the ground upon which the house stands, or which forms its base, constitutes the terrace. In such cases the terrace-walls are usually in two or more levels, the upper terrace being mostly parallel with the line of the house, or bowed out at intervals with balconies, while the lower terrace, or terraces, serve as the varying levels of formal gardens, pleasure-grounds, labyrinths, &c. The terraces are approached by wide steps that are treated in a stately and impressive manner. The walls and balustrades, moreover, conform, as they should, to the materials employed in the house; if the house be of stone, as at Haddon, or Brympton, or Claverton, the balustrade is of stone; if the house be of brick, as at Hatfield or Bramshill, the walls and balustrades will be of brick and terra-cotta. The advantage of this agreement of material is obvious, for house and terrace, embraced at one glance, make a consistent whole. There is not, of course, the same necessity for consistency of material in the case of the mere retaining walls.
As one must needs have a system in planning grounds, there is none that will more certainly bring honour and effect to them than the regular geometrical treatment. This is what the architect naturally prefers. The house is his child, and he knows what is good for it. Unlike the imported gardener, who comes upon the scene as a foreign agent, the architect works from the house outwards, taking the house as his centre; the other works from the outside inwards, if he thinks of the "inwards" at all. The first thinks of house and grounds as a whole which shall embrace the main buildings, the outbuildings, the flower and kitchen-gardens, terraces, walls, forecourt, winter-garden, conservatory, fountain, steps, &c. The other makes the house common to the commonplace; owing no allegiance to Art, a specialist of one idea, he holds that the worst thing that can be done is to intrude architectural or geometrical arrangement about a garden, and speaks of a refreshing carpet of grass as preferable.