On the point above, compare Bentham, Op. cit., I, p. 48. "A motive is substantially nothing more than pleasure or pain operating in a certain manner. Now pleasure is in itself a good: nay, even, setting aside immunity from pain, the only good; pain is in itself an evil, and, indeed, without exception, the only evil; or else the words good and evil have no meaning. And this is alike true of every sort of pain and of every sort of pleasure. It follows, therefore, immediately and incontestably, that there is no such thing as any sort of motive that is in itself a bad one. If motives are good or bad, it is only on account of their effects; good on account of their tendency to produce pleasure or avert pain; bad on account of their tendency to produce pain or avert pleasure. Now the case is, that from one and the same motive, and from every kind of motive, may proceed actions that are good, others that are bad and others that are indifferent." Further, on p. 60, Bentham asks: "Is there nothing, then, about a man that can properly be termed good or bad, when on such or such an occasion he suffers himself to be governed by such or such a motive? Yes, certainly, his disposition. Now disposition is a kind of fictitious entity, feigned for the convenience of discourse, in order to express what there is supposed to be permanent in a man's frame of mind. It is with disposition as with everything else; it will be good or bad according to its effects." The first quotation, it will be noticed, simply states that the motive is in itself always good, while conduct (i. e., consequences) may be good, bad or indifferent. The second quotation seems, however, to pass moral judgment upon character under the name of disposition. But disposition is judged according to the tendency of a person's actions. A good or bad disposition, here, can mean nothing intrinsic to the person, but only that the person has been observed to act in ways that usually produce pain or pleasure, as the case may be. The term is a 'fiction', and is a backhanded way of expressing a somewhat habitual result of a given person's conduct his motive remaining good (or for pleasure) all the time. The agent would never pronounce any such judgment upon his own disposition, unless as a sort of surprise that, his motive being 'good,' his actions turn out so 'bad' all the time. At most, the judgment regarding disposition is a sort of label put upon a man by others, a label of "Look out for him, he is dangerous," or, "Behold, a helpful man."

The moral standard of hedonism does not, then, bear any relation to the character of the agent, does not enable us to judge it, either as a whole or in any specific manifestation.

XVIII.

It Does Not Give a Criterion for Concrete Acts.

Pleasure, as the end, fails also to throw light on the moral value of any specific acts. Its failure in this respect is, indeed, only the other side of that just spoken of. There is no organizing principle, no 'universal' on the basis of which various acts fall into a system or order. The moral life is left a series of shreds and patches, where each act is torn off, as to its moral value, from every other. Each act is right or wrong, according as it gives pleasure or pain, and independently of any whole of life. There is, indeed, no whole of moral life at all, but only a series of isolated, disconnected acts. Possession, passivity, mere feeling, by its very nature cannot unite—each feeling is itself and that is the end of it. It is action which reduces multiplicity to unity. We cannot say, in the hedonistic theory, that pleasure is the end, but pleasures.

Each act stands by itself—the only question is: What pleasure will it give? The settling of this question is the "hedonistic calculus." We must discover the intensity, duration, certainty, degree of nearness of the pleasure likely to arise from the given act, and also its purity, or likelihood of being accompanied by secondary pains and pleasures. Then we are to strike the balance between the respective sums on the pleasure and pain sides, and, according as this balance is one of pleasure or pain, the act is good or evil.

Bentham, Op. cit., p. 16, was the first to go into detail as to this method. He has also given certain memoriter verses stating "the points on which the whole fabric of morals and legislation may be seen to rest.

Intense, long, certain, speedy, fruitful, pure,

Such marks in pleasures and in pains endure,

Such pleasures seek, if private be thy end.