“Well what about it?” he said as they got up from the table.
“What?” she asked smiling. “After Paris?”
“I guess I can stand it if you can George,” she said quietly.
He was waiting for her, standing at the open door of a taxi. She saw him poised spry against the darkness in a tan felt hat and a light tan overcoat, smiling like some celebrity in the rotogravure section of a Sunday paper. Mechanically she squeezed the hand that helped her into the cab.
“Elaine,” he said shakily, “life’s going to mean something to me now.... God if you knew how empty life had been for so many years. I’ve been like a tin mechanical toy, all hollow inside.”
“Let’s not talk about mechanical toys,” she said in a strangled voice.
“No let’s talk about our happiness,” he shouted.
Inexorably his lips closed on to hers. Beyond the shaking glass window of the taxi, like someone drowning, she saw out of a corner of an eye whirling faces, streetlights, zooming nickleglinting wheels.
The old man in the checked cap sits on the brownstone stoop with his face in his hands. With the glare of Broadway in their backs there is a continual flickering of people past him towards the theaters down the street. The old man is sobbing through his fingers in a sour reek of gin. Once in a while he raises his head and shouts hoarsely, “I cant, dont you see I cant?” The voice is inhuman like the splitting of a plank. Footsteps quicken. Middleaged people look the other way. Two girls giggle shrilly as they look at him. Streeturchins nudging each other peer in and out through the dark crowd. “Bum Hootch.” “He’ll get his when the cop on the block comes by.” “Prohibition liquor.” The old man lifts his wet face out of his hands, staring out of sightless bloodyrimmed eyes. People back off, step on the feet of the people behind them. Like splintering wood the voice comes out of him. “Don’t you see I cant...? I cant ... I cant.”