The horse twitched his ears, straightened his back and legs and pulled back black lips to show yellow teeth.

"Of course it's Rosinante!"

The horse's sides heaved. He threw back his head and whinnied shrilly, exultantly.

[ ]

V: A Novelist of Revolution

I

Much as G. B. S. refuses to be called an Englishman, Pío Baroja refuses to be called a Spaniard. He is a Basque. Reluctantly he admits having been born in San Sebastián, outpost of Cosmopolis on the mountainous coast of Guipuzcoa, where a stern-featured race of mountaineers and fishermen, whose prominent noses, high ruddy cheek-bones and square jowls are gradually becoming known to the world through the paintings of the Zubiaurre, clings to its ancient un-Aryan language and its ancient song and customs with the hard-headedness of hill people the world over.

From the first Spanish discoveries in America till the time of our own New England clipper ships, the Basque coast was the backbone of Spanish trade. The three provinces were the only ones which kept their privileges and their municipal liberties all through the process of the centralizing of the Spanish monarchy with cross and faggot, which historians call the great period of Spain. The rocky inlets in the mountains were full of shipyards that turned out privateers and merchantmen manned by lanky broad-shouldered men with hard red-beaked faces and huge hands coarsened by generations of straining on heavy oars and halyards,—men who feared only God and the sea-spirits of their strange mythology and were a law unto themselves, adventurers and bigots.

It was not till the Nineteenth century that the Carlist wars and the passing of sailing ships broke the prosperous independence of the Basque provinces and threw them once for all into the main current of Spanish life. Now papermills take the place of shipyards, and instead of the great fleet that went off every year to fish the Newfoundland and Iceland banks, a few steam trawlers harry the sardines in the Bay of Biscay. The world war, too, did much to make Bilboa one of the industrial centers of Spain, even restoring in some measure the ancient prosperity of its shipping.

Pío Baroja spent his childhood on this rainy coast between green mountains and green sea. There were old aunts who filled his ears up with legends of former mercantile glory, with talk of sea captains and slavers and shipwrecks. Born in the late seventies, Baroja left the mist-filled inlets of Guipuzcoa to study medicine in Madrid, febrile capital full of the artificial scurry of government, on the dry upland plateau of New Castile. He even practiced, reluctantly enough, in a town near Valencia, where he must have acquired his distaste for the Mediterranean and the Latin genius, and, later, in his own province at Cestons, where he boarded with the woman who baked the sacramental wafers for the parish church, and, so he claims, felt the spirit of racial solidarity glow within him for the first time. But he was too timid in the face of pain and too sceptical of science as of everything else to acquire the cocksure brutality of a country doctor. He gave up medicine and returned to Madrid, where he became a baker. In Juventud-Egolatria ("Youth-Selfworship") a book of delightfully shameless self-revelations, he says that he ran a bakery for six years before starting to write. And he still runs a bakery.