for the Iberian man who with strong hands
will carve out of Castilian oak
The parched God of the grey land.
XII: A Catalan Poet
It is time for sailing; the swallow has come chattering and the mellow west wind; the meadows are already in bloom; the sea is silent and the waves the rough winds pummeled. Up anchors and loose the hawsers, sailor, set every stitch of canvas. This I, Priapos the harbor god, command you, man, that you may sail for all manner of ladings. (Leonidas in the Greek Anthology.)
Catalonia like Greece is a country of mountains and harbors, where the farmers and herdsmen of the hills can hear in the morning the creak of oars and the crackling of cordage as the great booms of the wing-shaped sails are hoisted to the tops of the stumpy masts of the fishermen's boats. Barcelona with its fine harbor nestling under the towering slopes of Montjuic has been a trading city since most ancient times. In the middle ages the fleets of its stocky merchants were the economic scaffolding which underlay the pomp and heraldry of the great sea kingdom of the Aragonese. To this day you can find on old buildings the arms of the kings of Aragon and the counts of Barcelona in Mallorca and Manorca and Ibiza and Sardinia and Sicily and Naples. It follows that when Catalonia begins to reëmerge as a nucleus of national consciousness after nearly four centuries of subjection to Castile, poets speaking Catalan, writing Catalan, shall be poets of the mountains and of the sea.
Yet this time the motor force is not the sailing of white argosies towards the east. It is textile mills, stable, motionless, drawing about them muddled populations, raw towns, fattening to new arrogance the descendants of those stubborn burghers who gave the kings of Aragon and of Castile such vexing moments. (There's a story of one king who was so chagrined by the tight-pursed contrariness of the Cortes of Barcelona that he died of a broken heart in full parliament assembled.) This growth of industry during the last century, coupled with the reawakening of the whole Mediterranean, took form politically in the Catalan movement for secession from Spain, and in literature in the resurrection of Catalan thought and Catalan language.
Naturally the first generation was not interested in the manufactures that were the dynamo that generated the ferment of their lives. They had first to state the emotions of the mountains and the sea and of ancient heroic stories that had been bottled up in their race during centuries of inexpressiveness. For another generation perhaps the symbols will be the cluck of oiled cogs, the whirring of looms, the dragon forms of smoke spewed out of tall chimneys, and the substance will be the painful struggle for freedom, for sunnier, richer life of the huddled mobs of the slaves of the machines. For the first men conscious of their status as Catalans the striving was to make permanent their individual lives in terms of political liberty, of the mist-capped mountains and the changing sea.
Of this first generation was Juan Maragall who died in 1912, five years after the shooting of Ferrer, after a life spent almost entirely in Barcelona writing for newspapers,—as far as one can gather, a completely peaceful well-married existence, punctuated by a certain amount of political agitation in the cause of the independence of Catalonia, the life of a placid and recognized literary figure; "un maître" the French would have called him.