“Sure you have, Skinny. You an' me's got more guts than all the rest of 'em put together. God, if people had guts, you couldn't treat 'em like they were curs. Look, if I can ever get out o' this, I've got a hunch I can make a good thing writing movie scenarios. I want to get on in the world, Skinny.”
“But, Kid, you won't be able to go back to the States.”
“I don't care. New Rochelle's not the whole world. They got the movies in Italy, ain't they?”
“Sure. Let's go to bed.”
“All right. Look, you an' me are buddies from now on, Skinny.”
Andrews felt the Kid's hand press his arm.
In his dark, airless bunk, in the lowest of three tiers, Andrews lay awake a long time, listening to the snores and the heavy breathing about him. Thoughts fluttered restlessly in his head, but in his blank hopelessness he could only frown and bite his lips, and roll his head from side to side on the rolled-up tunic he used for a pillow, listening with desperate attention to the heavy breathing of the men who slept above him and beside him.
When he fell asleep he dreamed that he was alone with Genevieve Rod in the concert hall of the Schola Cantorum, and that he was trying desperately hard to play some tune for her on the violin, a tune he kept forgetting, and in the agony of trying to remember, the tears streamed down his cheeks. Then he had his arms round Genevieve's shoulders and was kissing her, kissing her, until he found that it was a wooden board he was kissing, a wooden board on which was painted a face with broad forehead and great pale brown eyes, and small tight lips, and all the while a boy who seemed to be both Chrisfield and the Kid kept telling him to run or the M.P.'s would get him. Then he sat frozen in icy terror with a bottle in his hand, while a frightful voice behind him sang very loud:
“There's the smile that makes you happy,
There's the smile that makes you sad.”
The bugle woke him, and he sat up with such a start that he hit his head hard against the bunk above him. He lay back cringing from the pain like a child. But he had to hurry desperately to get his clothes on in time for roll call. It was with a feeling of relief that he found that mess was not ready, and that men were waiting in line outside the kitchen shack, stamping their feet and clattering their mess kits as they moved about through the chilly twilight of the spring morning. Andrews found he was standing behind Hoggenback.