FOOTNOTES:
[A] Swash-buckler seems to have been a title for those, who retained the old blunt manners of Queen Elizabeth's time, when sword and buckler were the common weapons. "Of old, when Englishmen were fenced with bucklers, as with a rampier, nothing was more common with them, than to fight about taking the right or left hand on the wall, or upon any unpleasing countenance: clashing of swords was then daily music in every street." Moryson's Itinerary, Part III. Book iv.—The buckler was disused in the latter end of Queen Elizabeth's reign; but those who affected the old-fashioned, blunt, boisterous manners, common when that ancient weapon was used in brawls, were, like old Moody in the play, still termed Swash-bucklers.
[B] This song is translated from Voiture.
[C] An excellent critical essay upon the beauties and defects of Davenant's epic, may be found in Aikin's Miscellanies. Those who are insensible to theme rits of the poem, may admire the courage of the author, who wrote some part of it when he conceived himself within a week of being hanged. A tradition prevails, that his life was saved by Milton, whose life, in return, he saved at the Restoration. Were the story true, how vast was the requital!
[D] As, "Peace and the But," &c.
[E] A task imposed on us.
[F] This personage, who has bequeathed his name to a well-known tune, is believed to have been Simon Wadloe, or Wadlow, master of the Devil Tavern, when frequented by Ben Jonson.
[G] William Cavendish, duke of Newcastle, distinguished himself in the civil wars of Charles I. He might have possessed himself of Hull, had the king more early resolved on an open rupture with the parliament. When the war broke out, he levied an army of 8000 men, secured the northern counties for the king, and raised the siege of York. The invasion of the Scots prevented his farther success; but he defeated the parliamentary forces in several actions, and shewed all the talents of a great soldier. After the loss of the battle of Marston Moor, which Prince Rupert hazarded in opposition to his advice, he left England in disgust, and did not return till the Restoration. He was much respected when abroad, and acquired the favour of many princes, and, amongst others, of Don John of Austria. His skill in the equestrian art was, perhaps, as great a recommendation, as his noble birth and unstained loyalty. During the wars, he had been raised from the rank of earl to that of marquis; and after the Restoration he was created duke of Newcastle. He wrote several plays, of which we know only the names; "The Country Captain," "Variety," "The Humourous Lovers," and "The Triumphant Widow." He also translated Moliere's "L'Etourdi," which our author converted into "Sir Martin Mar-all". But his most noted work is a splendid folio on Horsemanship, with engravings; in which, after his grace has been represented in every possible attitude and dress, he is at length depicted mounted on Pegasus, and in the act of ascending from a circle of Houyhnhnms, kneeling around him in the act of adoration.
His once celebrated duchess was Margaret, daughter of Sir Charles Lucas. She was his grace's second wife, and married to him during his exile. A most voluminous author; she wrote nineteen plays, besides philosophical essays, letters, and orations. For the former she has condescended to leave the following apology:
The Latin phrases I could never tell, But Jonson could, which made him write so well. Greek, Latin poets I could never read, Nor their historians, but our English Speed. I could not steal their wit, nor plots out-take, All my plays plots my own poor brain did make. From Plutarch's story I ne'er took a plot, Nor from romances, nor from Don Quixote.