[307] The first effectual step taken by the court to defend themselves against popular clamour, was in the "Observator," and other periodical or occasional publications of L'Estrange, which had a great effect on the public mind. But during the first clamorous outcry after the Popish plot was started, nothing of this kind was, or probably could be, attempted; while, on the other hand, the press teemed with all manner of narratives of the plot, every one stuffed with more horrid circumstances than those which preceded it; and the sale of which was no inconsiderable part of the recompence of the various witnesses by whom they were composed, sworn to, and published.
[308] Examen, p. 204.
[309] Thus, to instance the "pedantic manner, vanity, defiance of criticism, rhodomontade and poetical bravado" of modern poets, he gives some extracts from the preface of "Don Sebastian," and adds, "who can after this say of the Rehearsal author, that his picture of our poet was over charged?"—Miscellany 5. Chap. 2. His lordship also glances repeatedly at Dryden in his Advice to an Author.
[310] Raleigh's Redivivus, p. 53.
[311] North's Examen, p. 60.
[312] Ibid. p. 57.
[313] Shaftesbury.
[314] This horrid story is alluded to by the author of Absalom's IX Worthies:
Next Zimri, banckrupt of wit and pence,
Proved Jew by's circumcised evidence;