The adventurers possess themselves of the royal spoils, with which the Ape is arrayed; who forthwith takes upon himself the dignity of the monarch of the beasts, and, by the counsels of the Fox, commits every species of oppression, until Jove, incensed at the disorders which his tyranny had introduced, sends Mercury to awaken the Lion from his slumber:
Arise! said Mercury, thou sluggish beast,
That here liest senseless, like the corpse deceast;
The whilst thy kingdom from thy head is rent,
And thy throne royal with dishonour blent.
The Lion rouses himself, hastens to court, and avenges himself of the usurpers.—There is no doubt, that, under this allegory, Spenser meant to represent the exorbitant power of Lord Burleigh; and he afterwards complains, that his verse occasioned his falling into a "mighty peer's displeasure." The Lion, therefore, whose negligence is upbraided by Mercury, was Queen Elizabeth. Dryden calls her,
The queen, whose feast the factious rabble keep;
because the tumultuous pope-burnings of 1680 and 1681 were solemnized on Queen Elizabeth's night. The poet had probably, since his change of religion, laid aside much of the hereditary respect with which most Englishmen regard Queen Bess; for, in the pamphlets of the Romanists, she is branded as "a known bastard, who raised this prelatic protestancy, called the church of England, as a prop to supply the weakness of her title."[264]
Spenser's authority is only appealed to by Dryden as justifying the introduction of lions and other foreign animals into a British fable. But I observed in the introduction, that it also furnishes authority, at least example, for those aberrations from the character and attributes of his brute actors, with which the critics taxed Dryden; for nothing in "The Hind and the Panther" can be more inconsistent with the natural quality of such animals, than the circumstance of a lion, or any other creature, going to sleep without his skin, on account of the sultry weather.