Forthy it round, and hollow-shaped was,
Like to the world itself, and seemed a world of glass.
Such was the glassy globe that Merlin made,
And gave unto King Ryence for his guard.
Fairy Queen, Book iii. Canto 2.
[342] Ralph Bathurst, thus highly distinguished by our author, was a distinguished character of the age. He was uncle to Allen, the first Lord Bathurst. He was born in 1620, and bred to the church, but abandoned divinity for the pursuit of medicine, which he practised until the Restoration, when he resumed his clerical character. In 1663 he became head of Trinity college, Oxford, into the court and chapel of which he introduced the beauties of classical architecture, to rival, if it were possible, the magnificence of the Gothic edifices by which it is surrounded. In 1673, he had the honour to be appointed vice-chancellor; an office which he retained for two years. During his execution of this duty he is said to have reformed many abuses which had crept into the university; and by liberal benefactions added considerably to the prosperity of literature. Anthony Wood, who had some private reason for disliking him, and who, moreover, was as determined an enemy to the fair sex as ever harboured in a cloister, picked a quarrel with Bathurst's wife, as he could find no reasonable fault with the vice-chancellor himself. "Dr Bathurst took his place of vice-chancellor; a man of good parts, and able to do good things; but he has a wife that scorns that he should be in print; a scornful woman! scorns that he was dean of Wells: no need of marrying such a woman, who is so conceited, that she thinks herself fit to govern a college, or university."—Perhaps the countenance given by Bathurst to the theatre, for which Dryden here expresses his gratitude, might not tend to conciliate the good will of Anthony, who quarrelled with his sister-in-law by refusing to treat her to the play. But it agreed well with the character of Bathurst, who was not only a patron of literature in all its branches, but himself an excellent Latin poet, as his verses prefixed to Hobbes' "Leviathan," fully testify; and as good an English poet as most of his contemporaries. He died in his eighty-fourth year, 1704. Warton has given us the following character of his Latin compositions, for which Dryden has celebrated him so highly: "His Latin orations are wonderful specimens of wit and antithesis, which were the delight of his age. They want, upon the whole, the purity and simplicity of Tully's eloquence, but even exceed the sententious smartness of Seneca, and the surprising turns of Pliny. They are perpetually spirited, and discover an uncommon quickness of thought. The manner is concise and abrupt, but yet perspicuous and easy: His allusions are delicate, and his observations sensible and animated; his sentiments of congratulation, or indignation, are equally forcible: his compliments are most elegantly turned, and his satire is most ingeniously severe. These compositions are extremely agreeable to read, but, in the present improvement of classical taste, not so proper to be imitated."—Life of Bathurst, prefixed to his Literary Remains, published under the inspection of Mr Warton.
[343] Characters in Jonson's "Volpone," and Fletcher's "King and no King," which plays are justly held the master-pieces of these authors.
[344] The "Slighted Maid" was a contemporary drama, written by Sir Richard Stapylton, of which Dryden elsewhere takes occasion to speak in terms of contempt. See the Parallel betwixt Poetry and Painting.
[345] This opinion seems to be solely founded on the inferiority of "Pericles," to the other plays of Shakspeare; an inferiority so great, as to warrant very strong doubts of its being the legitimate offspring of his muse at all.
[346] Alluding to the legend of the Glastonbury thorn, supposed to bloom on Christmas day.