The poem is certainly totally deficient in interest; for the character has no peculiarity of features: But, considered as an abstract example of female perfection, we may admire the ideal Eleonora, as we do the fancy-piece of a celebrated painter, though with an internal consciousness that the original never existed.
"Eleonora" first appeared in quarto, in 1692, probably about the end of autumn; as Dryden alludes to the intervention of some months between Lord Abingdon's commands and his own performance.
TO
THE RIGHT HONOURABLE
THE EARL OF ABINGDON, &c.[85]
MY LORD,