Neither am I to forget the noble present which was made me by Gilbert Dolben, Esq. the worthy son of the late Archbishop of York,[18] who, when I began this work, enriched me with all the several editions of Virgil, and all the commentaries of those editions in Latin; amongst which, I could not but prefer the Dauphin's, as the last, the shortest, and the most judicious. Fabrini[19] I had also sent me from Italy; but either he understands Virgil very imperfectly, or I have no knowledge of my author.

Being invited by that worthy gentleman, Sir William Bowyer, to Denham Court, I translated the First Georgic at his house, and the greatest part of the last Æneïd.[20] A more friendly entertainment no man ever found. No wonder, therefore, if both those versions surpass the rest, and own the satisfaction I received in his converse, with whom I had the honour to be bred in Cambridge, and in the same college. The Seventh Æneïd was made English at Burleigh, the magnificent abode of the Earl of Exeter.[21] In a village belonging to his family I was born;[22] and under his roof I endeavoured to make that Æneïd appear in English with as much lustre as I could; though my author has not given the finishing strokes either to it, or to the eleventh, as I perhaps could prove in both, if I durst presume to criticise my master.

By a letter from William Walsh, of Abberley, Esq.[23] (who has so long honoured me with his friendship, and who, without flattery, is the best critic of our nation,) I have been informed, that his grace the Duke of Shrewsbury[24] has procured a printed copy of the Pastorals, Georgics, and six first Æneïds, from my bookseller, and has read them in the country, together with my friend. This noble person having been pleased to give them a commendation, which I presume not to insert, has made me vain enough to boast of so great a favour, and to think I have succeeded beyond my hopes; the character of his excellent judgment, the acuteness of his wit, and his general knowledge of good letters, being known as well to all the world, as the sweetness of his disposition, his humanity, his easiness of access, and desire of obliging those who stand in need of his protection, are known to all who have approached him, and to me in particular, who have formerly had the honour of his conversation. Whoever has given the world the translation of part of the Third Georgic, which he calls "The Power of Love," has put me to sufficient pains to make my own not inferior to his;[25] as my Lord Roscommon's "Silenus" had formerly given me the same trouble. The most ingenious Mr Addison of Oxford has also been as troublesome to me as the other two, and on the same account. After his "Bees," my latter swarm is scarcely worth the hiving.[26] Mr Cowley's "Praise of a Country Life" is excellent, but is rather an imitation of Virgil, than a version. That I have recovered, in some measure, the health which I had lost by too much application to this work, is owing, next to God's mercy, to the skill and care of Dr Guibbons[27] and Dr Hobbs,[28] the two ornaments of their profession, whom I can only pay by this acknowledgment. The whole faculty has always been ready to oblige me; and the only one of them, who endeavoured to defame me, had it not in his power.[29] I desire pardon from my readers for saying so much in relation to myself, which concerns not them; and, with my acknowledgments to all my subscribers, have only to add, that the few Notes which follow, are par manière d'acquit, because I had obliged myself by articles to do somewhat of that kind.[30] These scattering observations are rather guesses at my author's meaning in some passages, than proofs that so he meant. The unlearned may have recourse to any poetical dictionary in English, for the names of persons, places, or fables, which the learned need not: but that little which I say, is either new or necessary; and the first of these qualifications never fails to invite a reader, if not to please him.


POEMS
ASCRIBED TO DRYDEN.


In this last division of poetry, those poems are placed which have been ascribed to Dryden upon grounds more or less satisfactory, yet do not seem entitled to be classed with his acknowledged writings. To some of them he doubtless lent his assistance, either from friendship to the author, or to the cause in which they were written. But, even in these, the hand of Dryden is not so effectually distinguished from that of the inferior artist, as to entitle them to be removed from the apocryphal station which is here assigned. Others I would have discarded altogether, but from the consideration that they were not of great length, and that the first complete edition of Dryden should contain all that has hitherto been ascribed to our immortal Bard, even upon loose and uncertain grounds.


AN ESSAY UPON SATIRE.