The Works of John Dryden, now first collected in eighteen volumes. Volume 18

by John Dryden

This is the sense of my author’s words contracted in a narrow compass; for, if you will believe Ablancourt, and others, his greatest fault is, that he exhausts his argument,—like Ovid, knows not when to give over, but is perpetually galloping beyond his stage.

But though I cannot pursue our author any farther, I find myself obliged to say something of those translators of the following Dialogues, whom I have the honour to know, as well as of some other translations of this author; and a word or two of translation itself.

As for the translators, all of them, that I know, are men of established reputation, both for wit and learning, at least sufficiently known to be so among all the finer spirits of the age. Sir Henry Sheers has given many proofs of his excellence in this kind; for while we, by his admirable address, enjoy Polybius in our mother tongue, we can never forget the hand that bestowed the benefit. The learning and judgment above his age, which every one discovers in Mr Moyle,[49] are proofs of those abilities he has shewn in his country’s service, when he was chose to serve it in the senate, as his father had done. The wit of Mr Blount,[50] and his other performances, need no recommendation from me; they have made too much noise in the world to need a herald. There are some other persons concerned in this work, whose names deserve a place among the foremost, but that they have not thought fit to be known, either out of a bashful diffidence of their own performance, or out of apprehension of the censure of an ill-natured and ill-judging age; for criticism is now become mere hangman’s work, and meddles only with the faults of authors; nay, the critic is disgusted less with their absurdities than excellence; and you cannot displease him more than in leaving him little room for his malice, in your correctness and perfection; though that indeed is what he never allows any man; for, like the bed of Procrustes, they stretch or cut off an author to its length. These spoilers of Parnassus are a just excuse for concealing the name, since most of their malice is levelled more at the person than the thing; and as a sure mark of their judgment, they will extol to the skies the anonymous work of a person they will not allow to write common sense.

But this consideration of our modern critics has led me astray, and made me insensibly deviate from the subject before me; the modesty or caution of the anonymous translators of the following work. Whatever the motive of concealing their names may be, I shall not determine; but it is certain, nothing could more contribute to make a perfect version of Lucian, than a confederacy of many men of parts and learning to do him justice. It seems a task too hard for any one to undertake; the burden would indeed be insupportable, unless we did what the French have done in some of their translations, allow twenty years to perfect the work, and bestow all the brightest intervals, the most sprightly hours, to polish and finish the work.[51]

But this has not been the fate of our author hitherto; for Lucian, that is the sincere example of attic eloquence, as Grævius says of him, is only a mass of solecism, and mere vulgarisms in Mr Spence.[52] I do not think it worth my while to rake into the filth of so scandalous a version; nor had I vouchsafed so much as to take notice of it, had it not been so gross an affront to the memory of Lucian, and so great a scandal to our nation. D’Ablancourt has taken a great deal of pains to furnish this intruder into print, with Lucian, in a language more known to him than Greek; nay, he has left him not one crabbed idiom to study for, since he has admirably clothed him in a garb more familiar to the moderns, still keeping the sense of his author in view. But in spite of all these helps, these leading-strings were not sufficient to keep Mr Spence from falling to the ground every step he made; while he makes him speak in the style and language of a jack-pudding, not a master of eloquence, admired for it through all the ages since he wrote. But too much of this trifler.

I have said enough already of the version of the learned Dr Mayne, to shew my approbation of it; but it is only a select parcel of Lucian’s Dialogues which pleased him most, but far from the whole. As for any other translation, if there be any such in our language, it is what I never saw,[53] and suppose it must be antiquated, or of so inferior a degree, as not even to rival Spence.

The present translation, as far as I can judge by what I have seen, is no way inferior to Ablancourt’s, and in many things is superior. It has indeed the advantage of appearing in a language more strong and expressive than French, and by the hands of gentlemen who perfectly understand him and their own language.

This has brought me to say a word or two about translation in general; in which no nation might more excel than the English, though, as matters are now managed, we come so far short of the French. There may indeed be a reason assigned, which bears a very great probability; and that is, that here the booksellers are the undertakers of works of this nature, and they are persons more devoted to their own gain than the public honour. They are very parsimonious in rewarding the wretched scribblers they employ; and care not how the business is done, so that it be but done. They live by selling titles, not books; and if that carry off one impression, they have their ends, and value not the curses they and their authors meet with from the bubbled chapmen. While translations are thus at the disposal of the booksellers, and have no better judges or rewarders of the performance, it is impossible that we should make any progress in an art so very useful to an enquiring people, and for the improvement and spreading of knowledge, which is none of the worst preservatives against slavery.

It must be confessed, that when the bookseller has interest with gentlemen of genius and quality, above the mercenary prospects of little writers, as in that of Plutarch’s Lives,[54] and this of Lucian, the reader may satisfy himself that he shall have the author’s spirit and soul in the traduction. These gentlemen know very well, that they are not to creep after the words of their author, in so servile a manner as some have done; for that must infallibly throw them on a necessity of introducing a new mode of diction and phraseology with which we are not at all acquainted, and would incur that censure which my Lord Dorset made formerly on those of Mr Spence, viz. that he was so cunning a translator, that a man must consult the original, to understand the version. For every language has a propriety and idiom peculiar to itself, which cannot be conveyed to another without perpetual absurdities.

The qualification of a translator, worth reading, must be, a mastery of the language he translates out of, and that he translates into; but if a deficience be to be allowed in either, it is in the original; since if he be but master enough of the tongue of his author, as to be master of his sense, it is possible for him to express that sense with eloquence in his own, if he have a thorough command of that. But without the latter, he can never arrive at the useful and the delightful; without which reading is a penance and fatigue.