MICROCOSMOGRAPHY;
or,
A piece of the World characterized.
I.
A CHILD
Is a man in a small letter, yet the best copy of Adam before he tasted of Eve or the apple; and he is happy whose small practice in the world can only write his character. He is nature's fresh picture newly drawn in oil, which time, and much handling, dims and defaces. His soul is yet a white paper[1] unscribbled with observations of the world, wherewith, at length, it becomes a blurred note-book. He is purely happy, because he knows no evil, nor hath made means by sin to be acquainted with misery. He arrives not at the mischief of being wise, nor endures evils to come, by fore-seeing them. He kisses and loves all, and, when the smart of the rod is past, smiles on his beater. Nature and his parents alike dandle him, and tice him on with a bait of sugar to a draught of wormwood. He plays yet, like a young prentice the first day, and is not come to his task of melancholy. [[2]All the language he speaks yet is tears, and they serve him well enough to express his necessity.] His hardest labour is his tongue, as if he were loath to use so deceitful an organ; and he is best company with it when he can but prattle. We laugh at his foolish [ports],
Shakspeare, of a child, says,
"—— the hand of time
Shall draw this brief into as huge a volume."